Expert Sleepers
disting EX
- Parameters
- 913
- Sections
- 15
- Pages on Karl
- 77
Expert Sleepersdisting EXPage 1/77
- Attenuverter 195
- Attenuverter 295
- Attenuverter 395
- Attenuverter 495
- Attenuverter 595
- Attenuverter 695
- Out 1 offset64
- Out 2 offset64
- Out 3 offset64
- Out 4 offset64
- Out 1 offset type21
- Out 2 offset type21
Full CC map
Matrix Mixer
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies an attenuverter to input 1 | CC 1 | 0–127 | |
| Attenuverter 2Applies an attenuverter to input 2 | CC 2 | 0–127 | |
| Attenuverter 3Applies an attenuverter to input 3 | CC 3 | 0–127 | |
| Attenuverter 4Applies an attenuverter to input 4 | CC 4 | 0–127 | |
| Attenuverter 5Applies an attenuverter to input 5 | CC 5 | 0–127 | |
| Attenuverter 6Applies an attenuverter to input 6 | CC 6 | 0–127 | |
| Out 1 offsetOffset for Output 1 | CC 7 | 0–127 | |
| Out 2 offsetOffset for Output 2 | CC 8 | 0–127 | |
| Out 3 offsetOffset for Output 3 | CC 9 | 0–127 | |
| Out 4 offsetOffset for Output 4 | CC 10 | 0–127 | |
| Out 1 offset typeUnit for Out 1offset | CC 11 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| Out 2 offset typeUnit for Out 2 offset | CC 12 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| Out 3 offset typeUnit for Out 3 offset | CC 13 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| Out 4 offset typeUnit for Out 4 offset | CC 14 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| Mix 1->1Amount of input 1 that will be summed into output 1 | CC 15 | 0–127 | |
| Mix 2->1Amount of input 2 that will be summed into output 1 | CC 16 | 0–127 | |
| Mix 3->1Amount of input 3 that will be summed into output 1 | CC 17 | 0–127 | |
| Mix 4->1Amount of input 4 that will be summed into output 1 | CC 18 | 0–127 | |
| Mix 5->1Amount of input 5 that will be summed into output 1 | CC 19 | 0–127 | |
| Mix 6->1Amount of input 6 that will be summed into output 1 | CC 20 | 0–127 | |
| Mix 1->2Amount of input 1 that will be summed into output 2 | CC 21 | 0–127 | |
| Mix 2->2Amount of input 2 that will be summed into output 2 | CC 22 | 0–127 | |
| Mix 3->2Amount of input 3 that will be summed into output 2 | CC 23 | 0–127 | |
| Mix 4->2Amount of input 4 that will be summed into output 2 | CC 24 | 0–127 | |
| Mix 5->2Amount of input 5 that will be summed into output 2 | CC 25 | 0–127 | |
| Mix 6->2Amount of input 6 that will be summed into output 2 | CC 26 | 0–127 | |
| Mix 1->3Amount of input 1 that will be summed into output 3 | CC 27 | 0–127 | |
| Mix 2->3Amount of input 2 that will be summed into output 3 | CC 28 | 0–127 | |
| Mix 3->3Amount of input 3 that will be summed into output 3 | CC 29 | 0–127 | |
| Mix 4->3Amount of input 4 that will be summed into output 3 | CC 30 | 0–127 | |
| Mix 5->3Amount of input 5 that will be summed into output 3 | CC 31 | 0–127 | |
| Mix 6->3Amount of input 6 that will be summed into output 3 | CC 32 | 0–127 | |
| Mix 1->4Amount of input 1 that will be summed into output 4 | CC 33 | 0–127 | |
| Mix 2->4Amount of input 2 that will be summed into output 4 | CC 34 | 0–127 | |
| Mix 3->4Amount of input 3 that will be summed into output 4 | CC 35 | 0–127 | |
| Mix 4->4Amount of input 4 that will be summed into output 4 | CC 36 | 0–127 | |
| Mix 5->4Amount of input 5 that will be summed into output 4 | CC 37 | 0–127 | |
| Mix 6->4Amount of input 6 that will be summed into output 4 | CC 38 | 0–127 | |
| In offset 1Offset for input 1 | CC 39 | 0–127 | |
| In offset 2Offset for input 2 | CC 40 | 0–127 | |
| In offset 3Offset for input 3 | CC 41 | 0–127 | |
| In offset 4Offset for input 4 | CC 42 | 0–127 | |
| In offset 5Offset for input 5 | CC 43 | 0–127 | |
| In offset 6Offset for input 6 | CC 44 | 0–127 | |
| In offset 1 typeUnit for In 1 offset | CC 45 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| In offset 2 typeUnit for In 2 offset | CC 46 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| In offset 3 typeUnit for In 3 offset | CC 47 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| In offset 4 typeUnit for In 4 offset | CC 48 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| In offset 5 typeUnit for In 5 offset | CC 49 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| In offset 6 typeUnit for In 6 offset | CC 50 | 0–127 | 0: Volts; 1: milliVolts; 2: semitones (multiples of 83 mV) |
| Out Quantize 1Sets the quantization for output 1 | CC 51 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| Out Quantize 2Sets the quantization for output 2 | CC 52 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| Out Quantize 3Sets the quantization for output 3 | CC 53 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| Out Quantize 4Sets the quantization for output 4 | CC 54 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| In Quantize 1Sets the quantization for input 1 | CC 55 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| In Quantize 2Sets the quantization for input 2 | CC 56 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| In Quantize 3Sets the quantization for input 3 | CC 57 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| In Quantize 4Sets the quantization for input 4 | CC 58 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| In Quantize 5Sets the quantization for input 5 | CC 59 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| In Quantize 6Sets the quantization for input 6 | CC 60 | 0–127 | 0: No Quantization; 1: Quantization to whole Volts; 2: Quantization to semitones; 3: semitone value per octave |
| Smoothing 1Amount of smoothing applied to the coefficients of the mixes for output 1 | CC 61 | 0–127 | |
| Smoothing 2Amount of smoothing applied to the coefficients of the mixes for output 2 | CC 62 | 0–127 | |
| Smoothing 3Amount of smoothing applied to the coefficients of the mixes for output 3 | CC 63 | 0–127 | |
| Smoothing 4Amount of smoothing applied to the coefficients of the mixes for output 4 | CC 65 | 0–127 |
Augustus Loop
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies an attenuverter to input 1 | CC 1 | 0–127 | |
| Attenuverter 2Applies an attenuverter to input 2 | CC 2 | 0–127 | |
| Attenuverter 3Applies an attenuverter to input 3 | CC 3 | 0–127 | |
| Attenuverter 4Applies an attenuverter to input 4 | CC 4 | 0–127 | |
| Attenuverter 5Applies an attenuverter to input 5 | CC 5 | 0–127 | |
| Attenuverter 6Applies an attenuverter to input 6 | CC 6 | 0–127 | |
| Time (coarse)Sets the delay time in multiples of 100ms. | CC 7 | 0–127 | |
| Time (fine)Sets an adjustment to the delay time in milliseconds | CC 8 | 0–127 | |
| Delay multiplierA multiplier to apply to the delay time set by the parameters the tap tempo or the clock | CC 9 | 0–127 | |
| FeedbackThe master delay feedback amount | CC 10 | 0–127 | |
| Dry gainThe amount of the dry signal to mix into the outputs | CC 11 | 0–127 | |
| Effect gainThe amount of the effect (delay) signal to mix into the outputs | CC 12 | 0–127 | |
| L-L TimeScales the delay time of the left-to-left feedback path as a percentage of the master delay time | CC 13 | 0–127 | |
| L-R TimeScales the delay time of the left-to-right feedback path as a percentage of the master delay time | CC 14 | 0–127 | |
| R-L TimeScales the delay time of the right-to-left feedback path as a percentage of the master delay time | CC 15 | 0–127 | |
| R-R TimeScales the delay time of the right-to-right feedback path as a percentage of the master delay time | CC 16 | 0–127 | |
| L-L LevelScales the amount of the delayed left signal mixed into the left feedback path | CC 17 | 0–127 | |
| L-R LevelScales the amount of the delayed left signal mixed into the right feedback path | CC 18 | 0–127 | |
| R-L LevelScales the amount of the delayed right signal mixed into the left feedback path | CC 19 | 0–127 | |
| R-R LevelScales the amount of the delayed right signal mixed into the right feedback path | CC 20 | 0–127 | |
| Mono-izeReduces the stereo width of the incoming signal | CC 21 | 0–127 | |
| Initial PanSets the pan position of the mono-ized signal | CC 22 | 0–127 | |
| Input levelAttenuates the input signal fed to the tape write head | CC 23 | 0–127 | |
| Pitch intertiaSets the amount of 'inertia' or slew on the pitch CV input | CC 24 | 0–125 | |
| Stop tapeWhen set to '1' the tape speed is set to zero | CC 25 | 0–127 | |
| Reverse tapeWhen set to '1' the tape is reversed | CC 26 | 0–127 | |
| Mono inputSwitches stereo to mono | CC 27 | 0–127 | 0: Inputs 1 and 2 used as stereo input; 1: Input 1 is used as a mono input |
| Sample rateControls the sample rate at which the algorithm runs | CC 28 | 0–127 | 0: 48kHz; 1: 96kHz |
| Bit depthControls the bit depth used in the delay memory | CC 29 | 0–127 | |
| Inertia freeEnables 'Inertia free' mode | CC 30 | 0–127 | |
| Inertia fade timeThe fade time to use when in Inertia free mode | CC 31 | 0–127 | |
| Pitch CV inputThe CV input to use for pitch or 0 for none | CC 32 | 0–127 | |
| Clock inputThe CV input to use as the clock or 0 for none | CC 33 | 0–127 | |
| Tap tempoWhen switched from 0 to 1 the algorithm acts on a tap tempo event | CC 34 | 0–127 | |
| Clocks requiredSets the number of consistent clocks required to change the delay time | CC 35 | 13–127 | |
| Filter typeSets the filter type | CC 36 | 0–127 | |
| Filter freqSets the filter frequency | CC 37 | 0–127 | |
| Filter QSets the filter resonance | CC 38 | 0–127 | |
| FX loop positionEnables the effects loop and sets in position the signal flow | CC 39 | 0–127 | 0: Disabled; 64: Pre-Filter; 127: Post filter |
| FX Loop inputSets the effects loop input | CC 40 | 0–127 | 0: In 1; 14: In 2; 28: In 3; 40: In 4; 53: In 5; 66: In 6; 79: In 1/2; 92: In 2/3; 105: In 3/4; 118: In 4/5; 127: In 5/6 |
| Clear loopInstigates a rapid clear of the delay buffer (while maintaining passthrough of the dry signal) | CC 41 | 0–127 | |
| Saturation enableEnables the saturation processing (on the tape output before the filter) | CC 42 | 0–127 | |
| SaturationSets the depth of the saturation effect by applying gain before the saturation waveshaper | CC 43 | 0–127 | |
| Saturation shapeControls the shape of the saturation | CC 44 | 0–127 | |
| Pitch LFO speedSets the speed of the pitch modulation LFO | CC 45 | 0–127 | |
| Pitch LFO depthSets the depth of pitch modulation by the LFO | CC 46 | 0–127 |
SD Multisample
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies an attenuverter to input 1 | CC 1 | 0–127 | |
| Attenuverter 2Applies an attenuverter to input 2 | CC 2 | 0–127 | |
| Attenuverter 3Applies an attenuverter to input 3 | CC 3 | 0–127 | |
| Attenuverter 4Applies an attenuverter to input 4 | CC 4 | 0–127 | |
| Attenuverter 5Applies an attenuverter to input 5 | CC 5 | 0–127 | |
| Attenuverter 6Applies an attenuverter to input 6 | CC 6 | 0–127 | |
| FolderThe folder on the MicroSD card from which to load the samples | CC 7 | 0–127 | |
| Attack timeThe envelope attack time. Range 1ms-15s or zero at value '0' | CC 8 | 0–127 | |
| Decay timeThe envelope decay time. Range 20ms-15s | CC 9 | 0–127 | |
| Sustain levelThe envelope sustain level | CC 10 | 0–127 | |
| Release timeThe envelope release time. Range 10ms-30s | CC 11 | 0–127 | |
| OctaveTransposes the whole instrument in octaves | CC 12 | 0–127 | |
| TransposeTransposes the whole instrument in semitones | CC 13 | 0–127 | |
| Fine tuneTunes the whole instrument in cents | CC 14 | 0–127 | |
| GainApplies an output gain (before saturation if enabled) | CC 15 | 0–127 | |
| SaturationEnables a soft saturation stage at the output | CC 16 | 0–127 | |
| SustainActivates sustain (notes remain playing when the gate goes low) | CC 17 | 0–127 | |
| Max voicesSets the maximum number of simultaneous voices | CC 18 | 1–127 | |
| Bend rangeThe pitch bend range in semitones | CC 19 | 0–127 | |
| Pitch bend inputThe pitch bend input or 0 for none | CC 20 | 0–127 | |
| Voice 1 detuneSets a per-voice detune | CC 21 | 0–127 | |
| Voice 2 detuneSets a per-voice detune | CC 22 | 0–127 | |
| Voice 3 detuneSets a per-voice detune | CC 23 | 0–127 | |
| Voice 4 detuneSets a per-voice detune | CC 24 | 0–127 | |
| Voice 5 detuneSets a per-voice detune | CC 25 | 0–127 | |
| Voice 6 detuneSets a per-voice detune | CC 26 | 0–127 | |
| Voice 7 detuneSets a per-voice detune | CC 27 | 0–127 | |
| Voice 8 detuneSets a per-voice detune | CC 28 | 0–127 | |
| Chord enableEnables the chord generator function | CC 29 | 0–127 | 0: Off; 1: On; 2: Gate 1; 3: Gate 2; 4: Gate 3; 5: Gates 1&1; 6: Gates 1&3; 7: Gates 2&3 |
| Chord keyThe key of the chord generator. 0 is C. 1 is C-sharp / D-flat, etc. | CC 30 | 0–127 | |
| Chord scaleThe scale of the chord generator | CC 31 | 0–127 | 0: Major; 1: Natural Minor; 2: Dominant; 3: Fully diminished; 4: Dominant Dim; 5: Augmented; 6: Whole Tone; 7: Chromatic; 8: Harmonic Minor |
| Chord shapeThe shape of the chord generator | CC 32 | 0–127 | 0: None; 1: 1 Octave; 2: 2 Octaves; 3: Root/Fifth; 4: Root/Fifth + 8ve; 5: Triad; 6: Triad + 8ve; 7: Sus4; 8: Sus4 + 8ve; 9: Sixth; 10: Sixth + 8ve; 11: Seventh; 12: Seventh + 8ve; 13: Ninth |
| Chord inversionThe chord inversion | CC 33 | 0–127 | |
| Arpeggio 1 modeThe arpeggiator mode for timbre 1 | CC 34 | 0–127 | 0: Off; 1: Up; 2: Down; 3: Alt; 4: Alt2; 5: Up-8ve; 6: Down-8ve; 7: Alt-8ve; 8: Alt2-8ve; 9: Step Up; 10: Step Down; 11: Random; 12: Random2; 13: Random3; 14: As Played |
| Arpeggio 2 modeThe arpeggiator mode for timbre 2 | CC 35 | 0–127 | 0: Off; 1: Up; 2: Down; 3: Alt; 4: Alt2; 5: Up-8ve; 6: Down-8ve; 7: Alt-8ve; 8: Alt2-8ve; 9: Step Up; 10: Step Down; 11: Random; 12: Random2; 13: Random3; 14: As Played |
| Arpeggio 3 modeThe arpeggiator mode for timbre 3 | CC 36 | 0–127 | 0: Off; 1: Up; 2: Down; 3: Alt; 4: Alt2; 5: Up-8ve; 6: Down-8ve; 7: Alt-8ve; 8: Alt2-8ve; 9: Step Up; 10: Step Down; 11: Random; 12: Random2; 13: Random3; 14: As Played |
| Arpeggio 1 rangeArpeggio 1 range setting | CC 37 | 1–127 | |
| Arpeggio 2 rangeArpeggio 2 range setting | CC 38 | 1–127 | |
| Arpeggio 3 rangeArpeggio 3 range setting | CC 39 | 1–127 | |
| Scala/MTSSets the Scala scale or MTS tuning to use | CC 40 | 0–127 | |
| Scala KBMSets the Scala keyboard map to use | CC 41 | 0–127 | |
| Folder 2The folder on the MicroSD card from which to load the samples for timbre 2 | CC 42 | 0–127 | |
| Folder 3The folder on the MicroSD card from which to load the samples for timbre 3 | CC 43 | 0–127 | |
| Min note 1The lowest note to respond to for timbre 1 | CC 44 | 0–127 | |
| Max note 1The highest note to respond to for timbre 1 | CC 45 | 0–127 | |
| Min note 2The lowest note to respond to for timbre 2 | CC 46 | 0–127 | |
| Max note 2The highest note to respond to for timbre 2 | CC 47 | 0–127 | |
| Min note 3The lowest note to respond to for timbre 3 | CC 48 | 0–127 | |
| Max note 3The highest note to respond to for timbre 3 | CC 49 | 0–127 | |
| Delay modeThe type of delay effect: 'Off' 'Stereo' or 'Ping-pong' | CC 51 | 0–127 | |
| Output spreadSets the amount by which voices are panned according to the 'Output mode' | CC 50 | 0–127 | |
| Delay levelThe level of the delay effect. '-40' is treated as –∞dB | CC 52 | 0–127 | |
| Delay timeThe delay time in milliseconds | CC 53 | 0–127 | |
| Delay feedbackThe delay feedback | CC 54 | 0–127 | |
| Tone bassBass EQ cut or boost | CC 55 | 0–127 | |
| Tone trebleTreble EQ cut or boost | CC 56 | 0–127 | |
| Break timeThe 'break' time for chords or 0 for off | CC 57 | 0–127 | |
| Break directionThe 'break' direction | CC 58 | 0–127 | 0: Up; 1: Down; 2: Alternating |
| Voice 1 bend inputThe per-voice pitch bend input or 0 for none | CC 59 | 0–127 | |
| Voice 2 bend inputThe per-voice pitch bend input or 0 for none | CC 60 | 0–127 | |
| Voice 3 bend inputThe per-voice pitch bend input or 0 for none | CC 61 | 0–127 | |
| Voice 4 bend inputThe per-voice pitch bend input or 0 for none | CC 62 | 0–127 | |
| Voice 5 bend inputThe per-voice pitch bend input or 0 for none | CC 63 | 0–127 | |
| Voice 6 bend inputThe per-voice pitch bend input or 0 for none | CC 64 | 0–127 | |
| Voice 7 bend inputThe per-voice pitch bend input or 0 for none | CC 65 | 0–127 | |
| Voice 8 bend inputThe per-voice pitch bend input or 0 for none | CC 66 | 0–127 | |
| Output modeSets how the outputs are used | CC 67 | 0–127 | |
| Input modeSets how the inputs are used for CV/gate control | CC 68 | 0–127 | |
| Sustain modeSets the behaviour of the sustain function | CC 69 | 0–127 | |
| MIDI vel curveSelects a velocity curve applied to incoming MIDI notes | CC 70 | 0–127 | |
| Arp reset inputThe input to use as the arpeggiator reset or 0 for none | CC 71 | 0–127 | |
| Gate offsetOffsets (delays) the gate inputs relative to the pitch inputs | CC 72 | 0–127 | |
| Round robin modeSets how round-robins are used | CC 73 | 0–127 | 0: Sequential |
SD 6 Triggers
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies an attenuverter to input 1 | CC 1 | 0–127 | |
| Attenuverter 2Applies an attenuverter to input 2 | CC 2 | 0–127 | |
| Attenuverter 3Applies an attenuverter to input 3 | CC 3 | 0–127 | |
| Attenuverter 4Applies an attenuverter to input 4 | CC 4 | 0–127 | |
| Attenuverter 5Applies an attenuverter to input 5 | CC 5 | 0–127 | |
| Attenuverter 6Applies an attenuverter to input 6 | CC 6 | 0–127 | |
| FolderThe folder on the MicroSD card to load the samples from. | CC 7 | 0–127 | |
| Sample 1The sample chosen for voice 1. The special value -1 disables the voice. | CC 8 | 0–127 | |
| Sample 2The sample chosen for voice 2. The special value -1 disables the voice. | CC 9 | 0–127 | |
| Sample 3The sample chosen for voice 3. The special value -1 disables the voice. | CC 10 | 0–127 | |
| Sample 4The sample chosen for voice 4. The special value -1 disables the voice. | CC 11 | 0–127 | |
| Sample 5The sample chosen for voice 5. The special value -1 disables the voice. | CC 12 | 0–127 | |
| Sample 6The sample chosen for voice 6. The special value -1 disables the voice. | CC 13 | 0–127 | |
| Output 1The output assignment for voice 1. | CC 14 | 0–127 | 5: 1+2 stereo; 6: 3+4 stereo; 7: 1+2 stereo with 3 as mono; 8: 1+2 stereo with 4 as mono |
| Output 2The output assignment for voice 2. | CC 15 | 0–127 | 5: 1+2 stereo; 6: 3+4 stereo; 7: 1+2 stereo with 3 as mono; 8: 1+2 stereo with 4 as mono |
| Output 3The output assignment for voice 3. | CC 16 | 0–127 | 5: 1+2 stereo; 6: 3+4 stereo; 7: 1+2 stereo with 3 as mono; 8: 1+2 stereo with 4 as mono |
| Output 4The output assignment for voice 4. | CC 17 | 0–127 | 5: 1+2 stereo; 6: 3+4 stereo; 7: 1+2 stereo with 3 as mono; 8: 1+2 stereo with 4 as mono |
| Output 5The output assignment for voice 5. | CC 18 | 0–127 | 5: 1+2 stereo; 6: 3+4 stereo; 7: 1+2 stereo with 3 as mono; 8: 1+2 stereo with 4 as mono |
| Output 6The output assignment for voice 6. | CC 19 | 0–127 | 5: 1+2 stereo; 6: 3+4 stereo; 7: 1+2 stereo with 3 as mono; 8: 1+2 stereo with 4 as mono |
| Gain 1The gain for voice 1 (dB). | CC 20 | 0–127 | |
| Gain 2The gain for voice 2 (dB). | CC 21 | 0–127 | |
| Gain 3The gain for voice 3 (dB). | CC 22 | 0–127 | |
| Gain 4The gain for voice 4 (dB). | CC 23 | 0–127 | |
| Gain 5The gain for voice 5 (dB). | CC 24 | 0–127 | |
| Gain 6The gain for voice 6 (dB). | CC 25 | 0–127 | |
| Pan 1The pan position for voice 1 (if assigned to a stereo output). | CC 26 | 0–127 | |
| Pan 2The pan position for voice 2 (if assigned to a stereo output). | CC 27 | 0–127 | |
| Pan 3The pan position for voice 3 (if assigned to a stereo output). | CC 28 | 0–127 | |
| Pan 4The pan position for voice 4 (if assigned to a stereo output). | CC 29 | 0–127 | |
| Pan 5The pan position for voice 5 (if assigned to a stereo output). | CC 30 | 0–127 | |
| Pan 6The pan position for voice 6 (if assigned to a stereo output). | CC 31 | 0–127 | |
| Env Time 1Release envelope time (0..100. 100 means infinite). | CC 32 | 0–127 | |
| Env Time 2Release envelope time (0..100. 100 means infinite). | CC 33 | 0–127 | |
| Env Time 3Release envelope time (0..100. 100 means infinite). | CC 34 | 0–127 | |
| Env Time 4Release envelope time (0..100. 100 means infinite). | CC 35 | 0–127 | |
| Env Time 5Release envelope time (0..100. 100 means infinite). | CC 36 | 0–127 | |
| Env Time 6Release envelope time (0..100. 100 means infinite). | CC 37 | 0–127 | |
| Transpose 1Transpose voice 1 in semitones. | CC 38 | 0–127 | |
| Transpose 2Transpose voice 2 in semitones. | CC 39 | 0–127 | |
| Transpose 3Transpose voice 3 in semitones. | CC 40 | 0–127 | |
| Transpose 4Transpose voice 4 in semitones. | CC 41 | 0–127 | |
| Transpose 5Transpose voice 5 in semitones. | CC 42 | 0–127 | |
| Transpose 6Transpose voice 6 in semitones. | CC 43 | 0–127 | |
| Fine tune 1Fine tuning voice 1 in cents. | CC 44 | 0–127 | |
| Fine tune 2Fine tuning voice 2 in cents. | CC 45 | 0–127 | |
| Fine tune 3Fine tuning voice 3 in cents. | CC 46 | 0–127 | |
| Fine tune 4Fine tuning voice 4 in cents. | CC 47 | 0–127 | |
| Fine tune 5Fine tuning voice 5 in cents. | CC 48 | 0–127 | |
| Fine tune 6Fine tuning voice 6 in cents. | CC 49 | 0–127 | |
| Choke group 1Choke group for voice 1 (0=off). | CC 50 | 0–127 | |
| Choke group 2Choke group for voice 2 (0=off). | CC 51 | 0–127 | |
| Choke group 3Choke group for voice 3 (0=off). | CC 52 | 0–127 | |
| Choke group 4Choke group for voice 4 (0=off). | CC 53 | 0–127 | |
| Choke group 5Choke group for voice 5 (0=off). | CC 54 | 0–127 | |
| Choke group 6Choke group for voice 6 (0=off). | CC 55 | 0–127 | |
| Start offset 1Start playback position for voice 1 (percent of sample length). | CC 56 | 0–127 | |
| Start offset 2Start playback position for voice 2 (percent of sample length). | CC 57 | 0–127 | |
| Start offset 3Start playback position for voice 3 (percent of sample length). | CC 58 | 0–127 | |
| Start offset 4Start playback position for voice 4 (percent of sample length). | CC 59 | 0–127 | |
| Start offset 5Start playback position for voice 5 (percent of sample length). | CC 60 | 0–127 | |
| Start offset 6Start playback position for voice 6 (percent of sample length). | CC 61 | 0–127 | |
| Out 1 SaturationEnable soft saturation on output 1. | CC 62 | 0–127 | |
| Out 2 SaturationEnable soft saturation on output 2. | CC 63 | 0–127 | |
| Out 3 SaturationEnable soft saturation on output 3. | CC 64 | 0–127 | |
| Out 4 SaturationEnable soft saturation on output 4. | CC 65 | 0–127 | |
| Folder 2Folder for voice 2 (-1 uses primary Folder). | CC 66 | 0–127 | |
| Folder 3Folder for voice 3 (-1 uses primary Folder). | CC 67 | 0–127 | |
| Folder 4Folder for voice 4 (-1 uses primary Folder). | CC 68 | 0–127 | |
| Folder 5Folder for voice 5 (-1 uses primary Folder). | CC 69 | 0–127 | |
| Folder 6Folder for voice 6 (-1 uses primary Folder). | CC 70 | 0–127 | |
| Round robin modeSelects how round-robins are used. | CC 71 | 0–127 | 0: Sequential |
WAV Recorder
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies an attenuverter to the input 1 | CC 1 | 0–127 | |
| Attenuverter 2Applies an attenuverter to the input 2 | CC 2 | 0–127 | |
| Attenuverter 3Applies an attenuverter to the input 3 | CC 3 | 0–127 | |
| Attenuverter 4Applies an attenuverter to the input 4 | CC 4 | 0–127 | |
| Attenuverter 5Applies an attenuverter to the input 5 | CC 5 | 0–127 | |
| Attenuverter 6Applies an attenuverter to the input 6 | CC 6 | 0–127 | |
| Input gainThe gain to apply to the inputs. | CC 7 | 0–127 | |
| Sample rateThe sample rate of the recording. | CC 8 | 0–127 | 0: 48kHz; 1: 96kHz |
| Bit depthThe bit depth of the recording. | CC 9 | 0–127 | 0: 16-bit; 1: 24-bit |
| ChannelsThe number of channels to record. | CC 10 | 0–127 | |
| Rec CV ModeRecord CV control (input 5). | CC 11 | 0–127 | 0: Trigger; 1: Gate |
| Play CV ModePlay CV control (input 6). | CC 12 | 0–127 | 0: Trigger; 1: Gate |
| Play As LoopPlayback mode. | CC 13 | 0–127 | 0: One-shot; 1: Loop |
| Outputs 1/2Output 1/2 mode. | CC 14 | 0–127 | 0: Thru; 1: Thru/play; 2: Play |
| Outputs 3/4Output 3/4 mode. | CC 15 | 0–127 | 0: Thru; 1: Thru/play; 2: Play |
| AS EnableEnables the auto-sampler. | CC 16 | 0–127 | |
| AS Start NoteAuto-sampler start note (MIDI note number 48 is 0V for the CV output). | CC 17 | 0–127 | |
| AS End NoteAuto-sampler end note (MIDI note number). | CC 18 | 0–127 | |
| AS Note StepAuto-sampler note step. | CC 19 | 0–127 | |
| AS Vel SwNumber of auto-sampler velocity switch layers. | CC 20 | 0–127 | |
| AS RRobinsNumber of auto-sampler round-robins. | CC 21 | 0–127 | |
| AS CoarseAuto-sampler note on time (coarse). | CC 22 | 0–127 | |
| AS FineAuto-sampler note on time (fine). | CC 23 | 0–127 | |
| AS GapAuto-sampler gap time (time between note-ons. keep recording after note). | CC 24 | 0–127 | |
| AS LatencyAuto-sampler latency adjustment. | CC 25 | 0–127 | |
| Thru routing 1Sets routing for input 1. 0=None 1-4=Out1-4 5=Out1+2 6=Out3+4. | CC 26 | 0–127 | |
| Thru routing 2Sets routing for input 2. 0=None 1-4=Out1-4 5=Out1+2 6=Out3+4. | CC 27 | 0–127 | |
| Thru routing 3Sets routing for input 3. 0=None 1-4=Out1-4 5=Out1+2 6=Out3+4. | CC 28 | 0–127 | |
| Thru routing 4Sets routing for input 4. 0=None 1-4=Out1-4 5=Out1+2 6=Out3+4. | CC 29 | 0–127 | |
| Thru routing 5Sets routing for input 5. 0=None 1-4=Out1-4 5=Out1+2 6=Out3+4. | CC 30 | 0–127 | |
| Thru routing 6Sets routing for input 6. 0=None 1-4=Out1-4 5=Out1+2 6=Out3+4. | CC 31 | 0–127 | |
| AS Min velocityMinimum velocity for auto-sampling with velocity switch layers. | CC 32 | 0–127 | |
| AS Max velocityMaximum velocity for auto-sampling with velocity switch layers. | CC 33 | 0–127 | |
| Playback fileChooses the file to be played when starting playback. | CC 34 | 0–127 | |
| Record enableIf 0 recording cannot be started/stopped by pressing 'L'. | CC 35 | 0–127 | |
| Playback enableIf 0 playback cannot be started/stopped by pressing 'R'. | CC 36 | 0–127 | |
| Playback gainSets the playback level. | CC 37 | 0–127 | |
| AS Preview noteMIDI note number to use when previewing in the auto-sampler. | CC 38 | 0–127 |
Multi-Switch
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies an attenuverter to input 1. | CC 1 | 0–127 | |
| Attenuverter 2Applies an attenuverter to input 2. | CC 2 | 0–127 | |
| Attenuverter 3Applies an attenuverter to input 3. | CC 3 | 0–127 | |
| Attenuverter 4Applies an attenuverter to input 4. | CC 4 | 0–127 | |
| Attenuverter 5Applies an attenuverter to input 5. | CC 5 | 0–127 | |
| Attenuverter 6Applies an attenuverter to input 6. | CC 6 | 0–127 | |
| Macro 1Control source for input 1. | CC 7 | 0–127 | |
| Macro 2Control source for input 2. | CC 8 | 0–127 | |
| Macro 3Control source for input 3. | CC 9 | 0–127 | |
| Macro 4Control source for input 4. | CC 10 | 0–127 | |
| Macro 5Control source for input 5. | CC 11 | 0–127 | |
| Macro 6Control source for input 6. | CC 12 | 0–127 | |
| A inputsDefines the inputs for switch A. | CC 13 | 0–127 | |
| A outputsDefines the outputs for switch A. | CC 14 | 0–127 | |
| A in controlControl source for input switch A. | CC 15 | 0–127 | |
| A in control typeControl source type for input switch A. | CC 16 | 0–127 | |
| A out controlControl source for output switch A. | CC 17 | 0–127 | |
| A out control typeControl source type for output switch A. | CC 18 | 0–127 | |
| A resetReset source for switch A. | CC 19 | 0–127 | |
| A fadeCrossfade time for switch A. | CC 20 | 0–127 | |
| B inputsDefines the inputs for switch B. | CC 21 | 0–127 | |
| B outputsDefines the outputs for switch B. | CC 22 | 0–127 | |
| B in controlControl source for input switch B. | CC 23 | 0–127 | |
| B in control typeControl source type for input switch B. | CC 24 | 0–127 | |
| B out controlControl source for output switch B. | CC 25 | 0–127 | |
| B out control typeControl source type for output switch B. | CC 26 | 0–127 | |
| B resetReset source for switch B. | CC 27 | 0–127 | |
| B fadeCrossfade time for switch B. | CC 28 | 0–127 | |
| C inputsDefines the inputs for switch C. | CC 29 | 0–127 | |
| C outputsDefines the outputs for switch C. | CC 30 | 0–127 | |
| C in controlControl source for input switch C. | CC 31 | 0–127 | |
| C in control typeControl source type for input switch C. | CC 32 | 0–127 | |
| C out controlControl source for output switch C. | CC 33 | 0–127 | |
| C out control typeControl source type for output switch C. | CC 34 | 0–127 | |
| C resetReset source for switch C. | CC 35 | 0–127 | |
| C fadeCrossfade time for switch C. | CC 36 | 0–127 | |
| D inputsDefines the inputs for switch D. | CC 37 | 0–127 | |
| D outputsDefines the outputs for switch D. | CC 38 | 0–127 | |
| D in controlControl source for input switch D. | CC 39 | 0–127 | |
| D in control typeControl source type for input switch D. | CC 40 | 0–127 | |
| D out controlControl source for output switch D. | CC 41 | 0–127 | |
| D out control typeControl source type for output switch D. | CC 42 | 0–127 | |
| D resetReset source for switch D. | CC 43 | 0–127 | |
| D fadeCrossfade time for switch D. | CC 44 | 0–127 | |
| E inputsDefines the inputs for switch E. | CC 45 | 0–127 | |
| E outputsDefines the outputs for switch E. | CC 46 | 0–127 | |
| E in controlControl source for input switch E. | CC 47 | 0–127 | |
| E in control typeControl source type for input switch E. | CC 48 | 0–127 | |
| E out controlControl source for output switch E. | CC 49 | 0–127 | |
| E out control typeControl source type for output switch E. | CC 50 | 0–127 | |
| E resetReset source for switch E. | CC 51 | 0–127 | |
| E fadeCrossfade time for switch E. | CC 52 | 0–127 | |
| F inputsDefines the inputs for switch F. | CC 53 | 0–127 | |
| F outputsDefines the outputs for switch F. | CC 54 | 0–127 | |
| F in controlControl source for input switch F. | CC 55 | 0–127 | |
| F in control typeControl source type for input switch F. | CC 56 | 0–127 | |
| F out controlControl source for output switch F. | CC 57 | 0–127 | |
| F out control typeControl source type for output switch F. | CC 58 | 0–127 | |
| F resetReset source for switch F. | CC 59 | 0–127 | |
| F fadeCrossfade time for switch F. | CC 60 | 0–127 |
Looper
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies attenuverter to input 1. | CC 1 | 0–127 | |
| Attenuverter 2Applies attenuverter to input 2. | CC 2 | 0–127 | |
| Attenuverter 3Applies attenuverter to input 3. | CC 3 | 0–127 | |
| Attenuverter 4Applies attenuverter to input 4. | CC 4 | 0–127 | |
| Attenuverter 5Applies attenuverter to input 5. | CC 5 | 0–127 | |
| Attenuverter 6Applies attenuverter to input 6. | CC 6 | 0–127 | |
| Target loopSelects loops affected by commands. | CC 7 | 0–127 | |
| Record gainSets gain for loop inputs. | CC 8 | 0–127 | |
| Loop 1 inputSelects input for loop 1. | CC 9 | 0–127 | |
| Loop 2 inputSelects input for loop 2. | CC 10 | 0–127 | |
| Loop 3 inputSelects input for loop 3. | CC 11 | 0–127 | |
| Loop 4 inputSelects input for loop 4. | CC 12 | 0–127 | |
| Loop 1 outputSelects output for loop 1. | CC 13 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Loop 2 outputSelects output for loop 2. | CC 14 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Loop 3 outputSelects output for loop 3. | CC 15 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Loop 4 outputSelects output for loop 4. | CC 16 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Loop 1 panSets pan for loop 1. | CC 17 | 0–127 | |
| Loop 2 panSets pan for loop 2. | CC 18 | 0–127 | |
| Loop 3 panSets pan for loop 3. | CC 19 | 0–127 | |
| Loop 4 panSets pan for loop 4. | CC 20 | 0–127 | |
| Loop 1 gainSets output gain for loop 1. | CC 21 | 0–127 | |
| Loop 2 gainSets output gain for loop 2. | CC 22 | 0–127 | |
| Loop 3 gainSets output gain for loop 3. | CC 23 | 0–127 | |
| Loop 4 gainSets output gain for loop 4. | CC 24 | 0–127 | |
| Loop 1 x-fadeSets crossfade time for loop 1. | CC 25 | 0–127 | |
| Loop 2 x-fadeSets crossfade time for loop 2. | CC 26 | 0–127 | |
| Loop 3 x-fadeSets crossfade time for loop 3. | CC 27 | 0–127 | |
| Loop 4 x-fadeSets crossfade time for loop 4. | CC 28 | 0–127 | |
| Loop 1 VCASelects VCA input for loop 1. | CC 29 | 0–127 | |
| Loop 2 VCASelects VCA input for loop 2. | CC 30 | 0–127 | |
| Loop 3 VCASelects VCA input for loop 3. | CC 31 | 0–127 | |
| Loop 4 VCASelects VCA input for loop 4. | CC 32 | 0–127 | |
| Monitor 1 outputSelects monitor output for loop 1. | CC 33 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Monitor 2 outputSelects monitor output for loop 2. | CC 34 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Monitor 3 outputSelects monitor output for loop 3. | CC 35 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Monitor 4 outputSelects monitor output for loop 4. | CC 36 | 0–127 | 1: Output 1; 2: Output 2; 3: Output 3; 4: Output 4; 5: Outputs 1+2 stereo; 6: Outputs 3+4 stereo |
| Monitor 1 panSets monitor pan for loop 1. | CC 37 | 0–127 | |
| Monitor 2 panSets monitor pan for loop 2. | CC 38 | 0–127 | |
| Monitor 3 panSets monitor pan for loop 3. | CC 39 | 0–127 | |
| Monitor 4 panSets monitor pan for loop 4. | CC 40 | 0–127 | |
| Monitor 1 gainSets monitor gain for loop 1. | CC 41 | 0–127 | |
| Monitor 2 gainSets monitor gain for loop 2. | CC 42 | 0–127 | |
| Monitor 3 gainSets monitor gain for loop 3. | CC 43 | 0–127 | |
| Monitor 4 gainSets monitor gain for loop 4. | CC 44 | 0–127 | |
| Attack timeSets loop attack time. | CC 45 | 0–127 | |
| Decay timeSets loop decay time. | CC 46 | 0–127 | |
| Overdub attack timeSets overdub attack time. | CC 47 | 0–127 | |
| Overdub decay timeSets overdub decay time. | CC 48 | 0–127 | |
| Overdub fadeSets overdub fade amount. | CC 49 | 0–127 | |
| Pause/muteSelects pause or mute behavior. | CC 50 | 0–127 | 0: Pause; 1: Mute; 2: Retrigger |
| Trigger 1 outputSelects trigger output for loop 1. | CC 51 | 0–127 | 0: None |
| Trigger 2 outputSelects trigger output for loop 2. | CC 52 | 0–127 | 0: None |
| Trigger 3 outputSelects trigger output for loop 3. | CC 53 | 0–127 | 0: None |
| Trigger 4 outputSelects trigger output for loop 4. | CC 54 | 0–127 | 0: None |
| RecordControls record and overdub. | CC 55 | 0–127 | |
| PlayControls play and mute. | CC 56 | 0–127 | |
| ReverseControls reverse playback. | CC 57 | 0–127 | |
| Octave downControls octave down function. | CC 58 | 0–127 | |
| Lowpass filterSets lowpass filter cutoff. | CC 59 | 0–127 | |
| Bypass clockBypasses clock input behavior. | CC 60 | 0–127 | |
| Bit depthSets loop bit depth. | CC 65 | 0–127 | 0: 8-bit; 1: 16-bit; 2: 32-bit |
| StereoSelects stereo or mono mode. | CC 66 | 0–127 | |
| Clock input 1Selects clock input for loop 1. | CC 67 | 0–127 | 0: None or MIDI clock |
| Clock input 2Selects clock input for loop 2. | CC 68 | 0–127 | 0: None or MIDI clock |
| Clock input 3Selects clock input for loop 3. | CC 69 | 0–127 | 0: None or MIDI clock |
| Clock input 4Selects clock input for loop 4. | CC 70 | 0–127 | 0: None or MIDI clock |
| Lock rangeSets clock lock range. | CC 71 | 0–127 | |
| MIDI transportEnables MIDI transport control. | CC 72 | 0–127 |
Dream Machine
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies attenuverter to input 1. | CC 1 | 0–127 | |
| Attenuverter 2Applies attenuverter to input 2. | CC 2 | 0–127 | |
| Attenuverter 3Applies attenuverter to input 3. | CC 3 | 0–127 | |
| Attenuverter 4Applies attenuverter to input 4. | CC 4 | 0–127 | |
| Attenuverter 5Applies attenuverter to input 5. | CC 5 | 0–127 | |
| Attenuverter 6Applies attenuverter to input 6. | CC 6 | 0–127 | |
| WavetableSelects wavetable. | CC 7 | 0–127 | |
| Prime 1Sets first prime value. | CC 8 | 0–127 | |
| Prime 2Sets second prime value. | CC 9 | 0–127 | |
| Prime 3Sets third prime value. | CC 10 | 0–127 | |
| Prime 4Sets fourth prime value. | CC 11 | 0–127 | |
| FundamentalSets fundamental frequency. | CC 12 | 0–127 | |
| OctaveSets octave shift. | CC 13 | 0–127 | |
| DenominatorSets frequency ratio denominator. | CC 14 | 0–127 | |
| Numerator 1Sets numerator of the frequency ratio for tone 1. | CC 15 | 0–127 | |
| Numerator 2Sets numerator of the frequency ratio for tone 2. | CC 16 | 0–127 | |
| Numerator 3Sets numerator of the frequency ratio for tone 3. | CC 17 | 0–127 | |
| Numerator 4Sets numerator of the frequency ratio for tone 4. | CC 18 | 0–127 | |
| Gate 0Gate for fundamental tone. | CC 19 | 0–127 | |
| Gate 1Gate for tone 1. | CC 20 | 0–127 | |
| Gate 2Gate for tone 2. | CC 21 | 0–127 | |
| Gate 3Gate for tone 3. | CC 22 | 0–127 | |
| Gate 4Gate for tone 4. | CC 23 | 0–127 | |
| Gain 0Sets gain for fundamental. | CC 24 | 0–127 | |
| Gain 1Sets gain for tone 1. | CC 25 | 0–127 | |
| Gain 2Sets gain for tone 2. | CC 26 | 0–127 | |
| Gain 3Sets gain for tone 3. | CC 27 | 0–127 | |
| Gain 4Sets gain for tone 4. | CC 28 | 0–127 | |
| Pan 1Sets pan for tone 1. | CC 29 | 0–127 | |
| Pan 2Sets pan for tone 2. | CC 30 | 0–127 | |
| Pan 3Sets pan for tone 3. | CC 31 | 0–127 | |
| Pan 4Sets pan for tone 4. | CC 32 | 0–127 | |
| Wave inputSelects wavetable position input. | CC 33 | 0–127 | |
| Wave offsetOffsets wavetable position. | CC 34 | 0–127 | |
| Attack timeSets envelope attack time. | CC 35 | 0–127 | |
| Decay timeSets envelope decay time. | CC 36 | 0–127 | |
| FM input 1Selects FM input for tone 1. | CC 37 | 0–127 | |
| FM input 2Selects FM input for tone 2. | CC 38 | 0–127 | |
| FM input 3Selects FM input for tone 3. | CC 39 | 0–127 | |
| FM input 4Selects FM input for tone 4. | CC 40 | 0–127 | |
| Waveform 0Selects waveform for fundamental. | CC 41 | 0–127 | |
| FM rangeSets FM input scaling. | CC 42 | 0–127 | 0: 1Hz/V; 1: 10Hz/V; 2: 100Hz/V; 3: 1kHz/V |
| Frequency slewSets frequency slew rate. | CC 43 | 0–127 | |
| Crossfade timeSets frequency crossfade time. | CC 44 | 0–127 | |
| Reverb mixSets reverb wet/dry mix. | CC 45 | 0–127 | |
| Reverb timeSets reverb time. | CC 46 | 0–127 | |
| Reverb modelSelects reverb model. | CC 47 | 0–127 | |
| Reverb sizeSets reverb size. | CC 48 | 0–127 | |
| Reverb high dampSets high frequency damping. | CC 49 | 0–127 | |
| Reverb mod speedSets reverb modulation speed. | CC 50 | 0–127 | |
| Reverb mod depthSets reverb modulation depth. | CC 51 | 0–127 | |
| Reverb early gainSets early reflection gain. | CC 52 | 0–127 | |
| Reverb diff gainSets diffuse reflection gain. | CC 53 | 0–127 | |
| TransposeAdjusts the tuning of all frequencies in (12-TET) semitone steps. | CC 54 | 0–127 |
Filter Bank
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Applies Attenuverter for input 1. | CC 1 | 0–127 | |
| Attenuverter 2Applies Attenuverter for input 2. | CC 2 | 0–127 | |
| Attenuverter 3Applies Attenuverter for input 3. | CC 3 | 0–127 | |
| Attenuverter 4Applies Attenuverter for input 4. | CC 4 | 0–127 | |
| Attenuverter 5Applies Attenuverter for input 5. | CC 5 | 0–127 | |
| Attenuverter 6Applies Attenuverter for input 6. | CC 6 | 0–127 | |
| ModeFilter mode. | CC 7 | 0–127 | |
| Gain/QSets filter gain (for Resonators) or resonance (for bandpass/multiband). | CC 8 | 0–127 | |
| Dry gainAmount of dry signal to mix into the outputs. | CC 9 | 0–127 | |
| Effect gainAmount of the Effect (filtered) signal to mix into the outputs. | CC 10 | 0–127 | |
| Attack timeEnvelope attack time. | CC 11 | 0–127 | |
| Decay timeEnvelope decay time. | CC 12 | 0–127 | |
| Pitch 1Pitch/Frequency of filter 1. | CC 13 | 0–127 | |
| Pitch 2Pitch/Frequency of filter 2. | CC 14 | 0–127 | |
| Pitch 3Pitch/Frequency of filter 3. | CC 15 | 0–127 | |
| Pitch 4Pitch/Frequency of filter 4. | CC 16 | 0–127 | |
| Pitch 5Pitch/Frequency of filter 5. | CC 17 | 0–127 | |
| Pitch 6Pitch/Frequency of filter 6. | CC 18 | 0–127 | |
| Pitch 7Pitch/Frequency of filter 7. | CC 19 | 0–127 | |
| Pitch 8Pitch/Frequency of filter 8. | CC 20 | 0–127 | |
| Gate 1Gate for filter 1. | CC 21 | 0–127 | |
| Gate 2Gate for filter 2. | CC 22 | 0–127 | |
| Gate 3Gate for filter 3. | CC 23 | 0–127 | |
| Gate 4Gate for filter 4. | CC 24 | 0–127 | |
| Gate 5Gate for filter 5. | CC 25 | 0–127 | |
| Gate 6Gate for filter 6. | CC 26 | 0–127 | |
| Gate 7Gate for filter 7. | CC 27 | 0–127 | |
| Gate 8Gate for filter 8. | CC 28 | 0–127 | |
| Gain 1Gain for filter 1. | CC 29 | 0–127 | |
| Gain 2Gain for filter 2. | CC 30 | 0–127 | |
| Gain 3Gain for filter 3. | CC 31 | 0–127 | |
| Gain 4Gain for filter 4. | CC 32 | 0–127 | |
| Gain 5Gain for filter 5. | CC 33 | 0–127 | |
| Gain 6Gain for filter 6. | CC 34 | 0–127 | |
| Gain 7Gain for filter 7. | CC 35 | 0–127 | |
| Gain 8Gain for filter 8. | CC 36 | 0–127 | |
| VCA input 1VCA input for filter 1. | CC 37 | 0–127 | |
| VCA input 2VCA input for filter 2. | CC 38 | 0–127 | |
| VCA input 3VCA input for filter 3. | CC 39 | 0–127 | |
| VCA input 4VCA input for filter 4. | CC 40 | 0–127 | |
| VCA input 5VCA input for filter 5. | CC 41 | 0–127 | |
| VCA input 6VCA input for filter 6. | CC 42 | 0–127 | |
| VCA input 7VCA input for filter 7. | CC 43 | 0–127 | |
| VCA input 8VCA input for filter 8. | CC 44 | 0–127 | |
| SpreadAmount by which to spread out the filters in the stereo field. | CC 45 | 0–127 | |
| LFO depthDepth of an octave LFO modulation of the filter gains. | CC 46 | 0–127 | |
| LFO rateLFO rate. | CC 47 | 0–127 | |
| CV/Gate controlSets whether inputs 3 & 4 are used as a CV/gate pair to 'play' the filters as pitched voices. | CC 48 | 0–127 | 0: Off; 1: On; 2: Quantized |
| Controlled voicesNumber of filters that will be controlled by MIDI or CV/gate. | CC 49 | 0–127 | |
| Mono inputMono input mode. | CC 50 | 0–127 | 0: Input 1+2 used for audio input; 1: Input 1 used for audio input |
| MIDI vel curveSelects a velocity curve applied to incoming MIDI notes. | CC 51 | 0–127 |
Poly Wavetable
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1Attenuverter for input 1. | CC 1 | 0–127 | |
| Attenuverter 2Attenuverter for input 2. | CC 2 | 0–127 | |
| Attenuverter 3Attenuverter for input 3. | CC 3 | 0–127 | |
| Attenuverter 4Attenuverter for input 4. | CC 4 | 0–127 | |
| Attenuverter 5Attenuverter for input 5. | CC 5 | 0–127 | |
| Attenuverter 6Attenuverter for input 6 | CC 6 | 0–127 | |
| WavetableChooses the wavetable from those installed on the MicroSD card. | CC 7 | 0–127 | |
| Wave offsetAn offset for the wavetable position. added to that set from the wave input. | CC 8 | 0–127 | |
| Wave spreadAn amount by which to spread out the per-voice wavetable positions. | CC 9 | 0–127 | |
| Coarse tuneTransposes the whole instrument in semitones. | CC 10 | 0–127 | |
| Fine tuneTunes the whole instrument in cents. | CC 11 | 0–127 | |
| Attack timeEnvelope 1 attack time. | CC 12 | 0–127 | |
| Decay timeEnvelope 1 decay time. | CC 13 | 0–127 | |
| Sustain levelEnvelope 1 sustain level. | CC 14 | 0–127 | |
| Release timeEnvelope 1 release time. | CC 15 | 0–127 | |
| Attack shapeEnvelope 1 attack shape. | CC 16 | 0–127 | |
| Decay shapeEnvelope 1 decay & release shape. | CC 17 | 0–127 | |
| Attack time 2Envelope 2 attack time. | CC 18 | 0–127 | |
| Decay time 2Envelope 2 decay time. | CC 19 | 0–127 | |
| Sustain level 2Envelope 2 sustain level. | CC 20 | 0–127 | |
| Release time 2Envelope 2 release time. | CC 21 | 0–127 | |
| Attack shape 2Envelope 2 attack shape. | CC 22 | 0–127 | |
| Decay shape 2Envelope 2 decay & release shape. | CC 23 | 0–127 | |
| Filter typeThe filter type. | CC 24 | 0–127 | 0: Off; 1: Lowpass; 2: Bandpas; 3: Highpass |
| Filter freqThe filter frequency. specified as a MIDI note number. | CC 25 | 0–127 | |
| Filter QThe filter resonance. | CC 26 | 0–127 | |
| Veloc -> volumeThe amount by which the note velocity affects the note volume. | CC 27 | 0–127 | |
| Veloc -> waveThe amount by which the note velocity affects the wavetable position. | CC 28 | 0–127 | |
| Veloc -> filterThe amount by which the note velocity affects the filter frequency. | CC 29 | 0–127 | |
| Pitch -> waveThe amount by which the note pitch affects the wavetable position. | CC 30 | 0–127 | |
| Pitch -> filterThe amount by which the note pitch affects the filter frequency. | CC 31 | 0–127 | |
| Env -> waveThe amount by which envelope 1 affects the wavetable position. | CC 32 | 0–127 | |
| Env -> filterThe amount by which envelope 1 affects the filter frequency. | CC 33 | 0–127 | |
| Env 2 -> waveThe amount by which envelope 2 affects the wavetable position. | CC 34 | 0–127 | |
| Env 2 -> filterThe amount by which envelope 2 affects the filter frequency. | CC 35 | 0–127 | |
| Env 2 -> pitchThe amount by which envelope 2 affects the note pitch. | CC 36 | 0–127 | |
| LFO -> waveThe amount by which the LFO affects the wavetable position. | CC 37 | 0–127 | |
| LFO -> filterThe amount by which the LFO affects the filter frequency. | CC 38 | 0–127 | |
| LFO -> pitchThe amount by which the LFO affects the note pitch. | CC 39 | 0–127 | |
| LFO speedThe LFO speed. | CC 40 | 0–127 | |
| GainApplies an overall output gain. | CC 41 | 0–127 | 91: 0dB |
| SustainActivates sustain. | CC 42 | 0–127 | |
| Bend rangeThe pitch bend range in semitones. | CC 43 | 0–127 | |
| Chord enableEnables the chord generator function. | CC 44 | 0–127 | |
| Chord keyThe key of the chord generator. | CC 45 | 0–127 | |
| Chord scaleThe scale of the chord generator. | CC 46 | 0–127 | |
| Chord shapeThe shape of the chord generator. | CC 47 | 0–127 | |
| Chord inversionThe chord inversion. | CC 48 | 0–127 | |
| Arpeggio 1 modeThe arpeggiator mode for CV/gate input 1. | CC 49 | 0–127 | |
| Arpeggio 2 modeThe arpeggiator mode for CV/gate input 2. | CC 50 | 0–127 | |
| Arpeggio 3 modeThe arpeggiator mode for CV/gate input 3. | CC 51 | 0–127 | |
| Arpeggio 1 rangeArpeggio range for input 1. | CC 52 | 0–127 | |
| Arpeggio 2 rangeArpeggio range for input 2. | CC 53 | 0–127 | |
| Arpeggio 3 rangeArpeggio range for input 3. | CC 54 | 0–127 | |
| Scala/MTSSets the Scala scale or MTS tuning to use. | CC 55 | 0–127 | |
| Scala KBMSets the Scala keyboard map to use. | CC 56 | 0–127 | |
| Chorus modeEngages the chorus effect. | CC 57 | 0–127 | |
| Delay modeThe type of delay effect. | CC 58 | 0–127 | 0: Off; 1: Stereo; 2: Ping-pong |
| Delay levelThe level of the delay effect. | CC 59 | 0–127 | |
| Delay timeThe delay time in milliseconds. | CC 60 | 0–127 | |
| Delay feedbackThe delay feedback. | CC 61 | 0–127 | |
| UnisonThe number of voices to play simultaneously. | CC 62 | 0–127 | |
| Unison detuneThe detune amount when Unison is active. | CC 63 | 0–127 | |
| Output spreadThe amount of output spread. | CC 64 | 0–127 | |
| Output modeThe output mode. | CC 65 | 0–127 | |
| Input modeSets how the inputs are used for CV/gate control. | CC 66 | 0–127 | |
| Sustain modeSets the behaviour of the sustain function. | CC 67 | 0–127 | 0: Synth; 1: Piano |
| MIDI vel curveSelects a velocity curve applied to incoming MIDI notes. | CC 68 | 0–127 | |
| Wave inputWhich input to use to control the position in the wavetable or '0' for 'None'. | CC 69 | 0–127 | |
| Pitch bend inputThe pitch bend input or '0' for none. | CC 70 | 0–127 | |
| Arp reset inputThe input to use as the arpeggiator reset or '0' for none. | CC 71 | 0–127 | |
| Max voicesSets the maximum number of simultaneous voices. | CC 72 | 0–127 | |
| LFO retriggerSets whether the LFOs are retriggered at note on. | CC 73 | 0–127 | 0: Poly; 1: Mono; 2: Off |
| LFO spreadSets the phase to which LFOs are retriggered. | CC 74 | 0–127 | |
| Gate offsetOffsets delays the gate inputs relative to the pitch inputs. | CC 75 | 0–127 | |
| Trigger modeSets the note triggering mode. | CC 76 | 0–127 | |
| Break timeThe 'break' time for chords or '0' for off. | CC 77 | 0–127 | |
| Break directionThe 'break' direction. | CC 78 | 0–127 |
Granulator
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1 (%)Attenuverter for input 1 | CC 1 | 0–127 | |
| Attenuverter 2 (%)Attenuverter for input 2 | CC 2 | 0–127 | |
| Attenuverter 3 (%)Attenuverter for input 3 | CC 3 | 0–127 | |
| Attenuverter 4 (%)Attenuverter for input 4 | CC 4 | 0–127 | |
| Attenuverter 5 (%)Attenuverter for input 5 | CC 5 | 0–127 | |
| Attenuverter 6 (%)Attenuverter for input 6 | CC 6 | 0–127 | |
| Buffer size (ms)The audio buffer size in milliseconds. | CC 7 | 0–127 | |
| Input gain (dB)Gain applied to the audio being recorded | CC 8 | 0–127 | |
| Dry gain (dB)Level of the input signal in the output mix | CC 9 | 0–127 | |
| Granulator gain (dB)Level of the granulator signal in the output mix | CC 10 | 0–127 | |
| RecordEnables recording into the buffer. | CC 11 | 0–127 | 0: Recording disabled; 1: Recording enabled |
| Spawn modeHow grains are spawned | CC 12 | 0–127 | 0: Stochastic; 1: Mid-grain; 2: Stochastic (fixed); 3: Mid-grain (fixed); 4: single |
| Rate mean (ms)Average time between new grains being spawned | CC 13 | 0–127 | |
| Rate spread (%)Amount of variation in the spawn rate expressed as a percentage of 'Rate mean' | CC 14 | 0–127 | |
| Size mean (ms)Average grain size | CC 15 | 0–127 | |
| Size spread (%)Amount of variation in grain size expressed as a percentage of 'Size mean' | CC 16 | 0–127 | |
| Pitch mean (ST)Average grain pitch shift (in semitones) | CC 17 | 0–127 | |
| Pitch spread (cents)Amount of variation in grain pitch shift | CC 18 | 0–127 | |
| Pan mean (%)Average grain pan position | CC 19 | 0–127 | |
| Pan spread (%)Amount of variation in grain pan | CC 20 | 0–127 | |
| Delay mean (%)Average grain delay (equivalently the position in the audio buffer) | CC 21 | 0–127 | |
| Delay spread (%)Amount of variation in grain delay | CC 22 | 0–127 | |
| ShapeGrain envelope/window shape | CC 23 | 0–127 | 0: Gaussian; 1: Tukey; 2: Triangle; 3: Expodec; 4: Rexpodec; 5: Equal power |
| Opacity (%)Opacity' of a note which is the percentage of grains that would normally make up the note that actually sound | CC 24 | 0–127 | |
| LFO depth (%)Depth of the LFO that affects the grain delay expressed as a percentage of the buffer size | CC 25 | 0–127 | |
| LFO speedSpeed of the grain delay LFO | CC 26 | 0–127 | |
| Input feedback (%)Amount of feedback to apply around the audio buffer itself when recording | CC 27 | 0–127 | |
| Main feedback (%)Amount of the granulator output to feed back into the audio buffer when recording | CC 28 | 0–127 | |
| Attack timeEnvelope attack time | CC 29 | 0–127 | |
| Release timeEnvelope release time | CC 30 | 0–127 | |
| Env -> opacity (%)Amount by which the note envelope affects the note opacity | CC 31 | 0–127 | |
| Env -> level (%)Amount by which the note envelope affects the note level (volume) | CC 32 | 0–127 | |
| Veloc -> level (%)Amount by which the note velocity affects the note level (volume) | CC 33 | 0–127 | |
| Veloc -> delay (%)Amount by which the note velocity affects the grain delay | CC 34 | 0–127 | |
| Pitch -> pitch (%)Amount by which the note pitch affects the grain pitch | CC 35 | 0–127 | |
| Pitch -> delay (%)Amount by which the note pitch affects the grain delay | CC 36 | 0–127 | |
| NormalizeLowers the overall volume of the grain cloud | CC 37 | 0–127 | |
| Natural pitch (ST)Sets the MIDI note number that will play back the audio | CC 38 | 0–127 | |
| Drone 1 pitch (ST)MIDI note number for drone 1 | CC 39 | 0–127 | |
| Drone 2 pitch (ST)MIDI note number for drone 2 | CC 40 | 0–127 | |
| Drone 3 pitch (ST)MIDI note number for drone 3 | CC 41 | 0–127 | |
| Drone 1 enableEnables (gates) for drone1 | CC 42 | 0–127 | 0: Off; 1: On |
| Drone 2 enableEnables (gates) for drone2 | CC 43 | 0–127 | 0: Off; 1: On |
| Drone 3 enableEnables (gates) for drone3 | CC 44 | 0–127 | 0: Off; 1: On |
| Drone 1 opacity (%)Opacity of drone1 | CC 45 | 0–127 | |
| Drone 2 opacity (%)Opacity of drone2 | CC 46 | 0–127 | |
| Drone 3 opacity (%)Opacity of drone3 | CC 47 | 0–127 | |
| Drone 1 level (dB)Level (volume) of drone1 | CC 48 | 0–127 | |
| Drone 2 level (dB)Level (volume) of drone2 | CC 49 | 0–127 | |
| Drone 3 level (dB)Level (volume) of drone3 | CC 50 | 0–127 | |
| Out delay modeType of the output delay effect | CC 51 | 0–127 | 0: Off; 1: Stereo; 2: Ping-pong |
| Out delay level (dB)Level of the output delay effect | CC 52 | 0–127 | |
| Out delay time (ms)Output delay time | CC 53 | 0–127 | |
| Out delay feedback (%)Output delay feedback | CC 54 | 0–127 | |
| Reverb mix (%)Wet/dry control for the reverb effect | CC 55 | 0–127 | |
| Reverb time (ms)Reverb time | CC 56 | 0–127 | |
| Grain limitImposes an arbitrary limit on the number of simultaneous grains | CC 57 | 0–127 | |
| Bend range (ST)MIDI pitch bend range | CC 58 | 0–127 | |
| Reverse (%)Sets the probability that a grain will be played backwards | CC 59 | 0–127 | |
| Pitch quantizeIf set quantizes the random pitch deviation to musical intervals | CC 60 | 0–127 | 0: Off; 1: Octaves; 2: Fourths; 3: Fifths; 4: Major Triad; 5: Minor Triad |
| LFO shapeSets the LFO shape | CC 61 | 0–127 | 0: Triangle; 1: Ramp up; 2: Ramp down |
| Record fade (ms)Duration of the fade applied when starting and stopping recording to avoid clicks | CC 62 | 0–127 | |
| Input modeSets how many input CV/gate pairs the algorithm uses | CC 65 | 0–127 | 0: No CV/Gate; 1: uses inputs 2/4; 2: adds inputs 1/3; 3: adds inputs 5/6 |
| Mono inputSets input 5 as a mono input if enabled | CC 66 | 0–127 | 0: Inputs 5 & 6 are used as a stereo input; 1: only input 5 is used as a mono input (leaving input 6 free for parameter mapping) |
| Sustain modeSets the retrigger behaviour of sustained notes | CC 67 | 0–127 | 0: Synth (sustained notes cannot be retriggered); 1: Piano (sustained notes can be retriggered) |
| Delay mean inputCV input to use to control the grain delay | CC 68 | 0–127 | 0: None; 1: input1; 2: input2; 3: input3; 4: input4; 5: input5; 6: input6; 7: 1 sampled; 8: 2 sampled; 9: 3 sampled; 10: 4 sampled; 11: 5 sampled; 12: 6 sampled |
| Effects routingControls where the effects and dry/wet mix appear in the signal chain | CC 69 | 0–127 | 0: Delay->Reverb->Mix; 1: Delay->Mix->Reverb; 2: Mix->Delay->Reverb |
| Reverb modelChooses the reverb model | CC 70 | 0–127 | 0: Hall; 1: Hall 2; 2: Room; 3: Plate |
| Reverb size (%)Sets the size of the reverb space | CC 71 | 0–127 | |
| Reverb high damp (%)Sets the amount of high frequency damping in the reverb tail | CC 72 | 0–127 | |
| Reverb mod speed (Hz)Sets the speed of reverb modulation | CC 73 | 0–127 | |
| Reverb mod depth (%)Sets the depth of reverb modulation | CC 74 | 0–127 | |
| Reverb early gain (dB)Sets the output level of the early reflections | CC 75 | 0–127 | |
| Reverb diff gain (dB)Sets the output level of the diffuse reflections | CC 76 | 0–127 | |
| Delay unitDetermines whether the Delay mean and spread parameters work in terms of % or ms. | CC 77 | 0–127 | 0: Percentage; 1: Milliseconds |
Multi FX
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1 (%)Attenuverter for input 1 | CC 1 | 0–127 | |
| Attenuverter 2 (%)Attenuverter for input 2 | CC 2 | 0–127 | |
| Attenuverter 3 (%)Attenuverter for input 3 | CC 3 | 0–127 | |
| Attenuverter 4 (%)Attenuverter for input 4 | CC 4 | 0–127 | |
| Attenuverter 5 (%)Attenuverter for input 5 | CC 5 | 0–127 | |
| Attenuverter 6 (%)Attenuverter for input 6 | CC 6 | 0–127 | |
| VSR (ST)Sets the variable sample rate in semitones | CC 7 | 0–127 | |
| VSR attenuator (%)Attenuator for the VSR CV input | CC 8 | 0–127 | |
| QuantizeSets the scale to quantize the VSR to | CC 9 | 0–127 | 0: Off; 1: On |
| Dry routingSets the dry routing to Pre-EQ or Post-EQ | CC 10 | 0–127 | 0: Pre-EQ; 1: Post-EQ |
| Dry gain (dB)Level of the dry signal mixed into the output | CC 11 | 0–127 | |
| Effects gain (dB)Overall level of the combined effects signals mixed into the output | CC 12 | 0–127 | |
| Pitch gain (dB)Level of the pitch effect mixed into the output | CC 13 | 0–127 | |
| Delay gain (dB)Level of the delay effect mixed into the output | CC 14 | 0–127 | |
| Reverb gain (dB)Level of the reverb mixed into the output | CC 15 | 0–127 | |
| SaturationEnables saturation on the mix output | CC 16 | 0–127 | 0: Off; 1: On |
| EQ 1 typeType of EQ band 1 | CC 17 | 0–127 | 0: 6dB/Octave; 1: 12 dB/Octave; 2: Low shelving EQ |
| EQ 1 frequencyFrequency of EQ band 1 | CC 18 | 0–127 | |
| EQ 1 gain (0.1dB)Gain of EQ band 1 only if type is 'Shelving' | CC 19 | 0–127 | |
| EQ 2 frequencyFrequency of EQ band 2 | CC 20 | 0–127 | |
| EQ 2 QQ resonance of EQ band 2 | CC 21 | 0–127 | |
| EQ 2 gain (0.1dB)Gain of EQ band 2 | CC 22 | 0–127 | |
| EQ 3 typeType of EQ band 3 | CC 23 | 0–127 | 0: 6dB/Octave; 1: 12 dB/Octave; 2: High shelving EQ |
| EQ 3 frequencyFrequency of EQ band 3 | CC 24 | 0–127 | |
| EQ 3 gain (0.1dB)Gain of EQ band 3 only if type is 'Shelving' | CC 25 | 0–127 | |
| Pitch input 1Chooses one input to the pitch effect for Pitch - Chorus | CC 26 | 0–127 | 0: Pre-EQ; 1: Post-EQ; 2: Pitch; 3: Delay; 4: Reverb |
| Pitch input 2Chooses the other input to the pitch effect for Pitch - Chorus | CC 27 | 0–127 | 0: Pre-EQ; 1: Post-EQ; 2: Pitch; 3: Delay; 4: Reverb |
| Pitch input mix (%)Sets the mix between pitch effect inputs Reverb <-> Post-EQ | CC 28 | 0–127 | |
| Pitch effectChooses the pitch effect chorus phaser or pitch shift | CC 29 | 0–127 | 0: Chorus; 1: Phaser; 2: Shift |
| Pitch blend (%)Sets the mix at the pitch effect output between the input signal and the processed signal | CC 30 | 0–127 | |
| Pitch feedback (%)Internal feedback of the pitch effect | CC 31 | 0–127 | |
| Chorus delay / Phaser centre (0.1ms)Delay time of the chorus effect OR the centre frequency of the phaser effect | CC 32 | 0–127 | |
| Chorus speed / Phaser speed (Hz)LFO speed of the chorus or phaser effect | CC 33 | 0–127 | |
| Chorus depth / Phaser depth (%)LFO depth of the chorus or phaser effect | CC 34 | 0–127 | |
| Chorus spread / Phaser spreadStereo spread of the chorus or phaser effect in degrees | CC 35 | 0–127 | |
| Pitch shift delay (ms)Delay time used by the pitch shifter effect | CC 36 | 0–127 | |
| Pitch shift (ST)Amount of pitch shifting in semitones | CC 37 | 0–127 | |
| Pitch shift fine (cents)Amount of pitch shifting in cents | CC 38 | 0–127 | |
| Delay input 1Chooses one input to the delay effect | CC 39 | 0–127 | 0: Pre-EQ; 1: Post-EQ; 2: Pitch; 3: Delay; 4: Reverb |
| Delay input 2Chooses the other input to the delay effect | CC 40 | 0–127 | 0: Pre-EQ; 1: Post-EQ; 2: Pitch; 3: Delay; 4: Reverb |
| Delay input mix (%)Sets the mix between delay effect inputs | CC 41 | 0–127 | |
| Delay modeSets the delay mode | CC 42 | 0–127 | 0: Mono (fade); 1: Stereo (fade): 2: Ping-Pong (fade); 3: Mono (slew); 4: Stereo (slew); 5: Ping-Pong (slew) |
| Delay time (ms)Sets the delay time or the left delay time if the mode is 'stereo' | CC 43 | 0–127 | |
| Delay time R (ms)Sets the right delay time if the mode is 'stereo' | CC 44 | 0–127 | |
| Delay feedback (%)Sets the delay feedback | CC 45 | 0–127 | |
| Delay mono-ize (%)If the delay mode is 'ping-pong' sets the amount by which the input signal is reduced to a mono signal to be panned | CC 46 | 0–127 | |
| Delay initial panIf the delay mode is 'ping-pong' sets the pan position of the first delay | CC 47 | 0–127 | |
| Reverb input 1Chooses one input to the reverb | CC 48 | 0–127 | 0: Pre-EQ; 1: Post-EQ; 2: Pitch; 3: Delay; 4: Reverb |
| Reverb input 2Chooses the other input to the reverb | CC 49 | 0–127 | 0: Pre-EQ; 1: Post-EQ; 2: Pitch; 3: Delay; 4: Reverb |
| Reverb input mix (%)Sets the mix between reverb inputs | CC 50 | 0–127 | |
| Reverb modelChooses the reverb model | CC 51 | 0–127 | 0: Hall; 1: Hall 2; 2: Room; 3: Plate |
| Reverb time (ms)Sets the reverb time | CC 52 | 0–127 | |
| Reverb size (%)Sets the size of the reverb space | CC 53 | 0–127 | |
| Reverb high damp (%)Sets the amount of high frequency damping in the reverb tail | CC 54 | 0–127 | |
| Reverb mod speed (Hz)Sets the speed of reverb modulation | CC 55 | 0–127 | |
| Reverb mod depth (%)Sets the depth of reverb modulation | CC 56 | 0–127 | |
| Reverb early gain (dB)Sets the output level of the early reflections | CC 57 | 0–127 | |
| Reverb diff gain (dB)Sets the output level of the diffuse reflections | CC 58 | 0–127 | |
| Reverb low passSets the frequency of a first order low-pass filter applied at the reverb input | CC 59 | 0–127 | |
| Mono inputSets whether the algorithm input is mono or stereo | CC 60 | 0–127 | 0: Mono; 1: Stereo |
| VSR inputSelects which input is used for the VSR CV | CC 61 | 0–127 | |
| Pitch shift inputSelects which input is used for the pitch shift CV | CC 62 | 0–127 | |
| Aux outputsChooses which effect section's outputs appear on outputs 3 & 4 | CC 63 | 0–127 | 0: Pre-EQ; 1: Post-EQ; 2: Pitch; 3: Delay; 4: Reverb |
| Aux input LSelects which input is mixed into the left channel as the aux signal | CC 64 | 0–127 | |
| Aux input RSelects which input is mixed into the right channel as the aux signal | CC 65 | 0–127 | |
| Aux input gain (dB)Sets the gain of the aux signal '-40' is treated as ∞dB | CC 66 | 0–127 | |
| Delay clock inputSelects which input is used as a clock for the delay time | CC 67 | 0–127 | |
| Delay R clock inputSelects which input is used as a clock for the right delay time | CC 68 | 0–127 | |
| Delay multiplierA multiplier to apply to the delay time set by the clock | CC 69 | 0–127 | |
| Delay R multiplierA multiplier to apply to the right delay time set by the clock | CC 70 | 0–127 |
Poly Exciter
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1 (%)Attenuverter for input 1 | CC 1 | 0–127 | |
| Attenuverter 2 (%)Attenuverter for input 2 | CC 2 | 0–127 | |
| Attenuverter 3 (%)Attenuverter for input 3 | CC 3 | 0–127 | |
| Attenuverter 4 (%)Attenuverter for input 4 | CC 4 | 0–127 | |
| Attenuverter 5 (%)Attenuverter for input 5 | CC 5 | 0–127 | |
| Attenuverter 6 (%)Attenuverter for input 6 | CC 6 | 0–127 | |
| ModeSets the excitation mode | CC 7 | 0–127 | 0: Strike; 1: Scrape; 2: Strum |
| TableChosen exciter table loaded from the MicroSD card | CC 8 | 0–127 | |
| ExciterExciter number within the table | CC 9 | 0–127 | 0: Ramp; 1: Noise burst; 2: Noise ramp; 3: Square; 4: Silence |
| Exciter length (ms)Exciter length in milliseconds | CC 10 | 0–127 | |
| ToneSets the tone brightness of the resonator | CC 11 | 0–127 | |
| DampSets the amount of damping in the resonator | CC 12 | 0–127 | |
| Release dampSets the amount of extra damping added when a note is released | CC 13 | 0–127 | |
| PressureSets the baseline pressure applied | CC 14 | 0–127 | |
| Veloc -> strike (%)Amount by which the note velocity affects the strength of the exciter | CC 15 | 0–127 | |
| Veloc -> tone (%)Amount by which the note velocity affects the tone | CC 16 | 0–127 | |
| Veloc -> damp (%)Amount by which the note velocity affects the damping | CC 17 | 0–127 | |
| Veloc -> exciterAmount by which the note velocity affects the chosen exciter within the table | CC 18 | 0–127 | |
| Pitch -> damp (%)Amount by which the note pitch affects the damping | CC 19 | 0–127 | |
| Pitch -> exciter (%)Amount by which the note pitch affects the chosen exciter within the table | CC 20 | 0–127 | |
| Pitch -> LPF (%)Amount by which the note pitch affects the low pass filter | CC 21 | 0–127 | |
| Press -> exciterAmount by which pressure affects the chosen exciter within the table | CC 22 | 0–127 | |
| Env -> pitchAmount by which the envelope affects the note pitch in units of 1/10th semitones | CC 23 | 0–127 | |
| Env -> exciterAmount by which the envelope affects the chosen exciter within the table | CC 24 | 0–127 | |
| LFO -> pitch (cents)Amount by which the LFO affects the note pitch | CC 25 | 0–127 | |
| LFO -> exciterAmount by which the LFO affects the chosen exciter within the table | CC 26 | 0–127 | |
| LFO speedLFO speed Range | CC 27 | 0–127 | |
| Attack timeEnvelope attack time | CC 28 | 0–127 | |
| Decay timeEnvelope decay time | CC 29 | 0–127 | |
| Sustain levelEnvelope sustain level | CC 30 | 0–127 | |
| Release timeEnvelope release time | CC 31 | 0–127 | |
| Coarse tune (ST)Transposes the whole instrument in semitones | CC 32 | 0–127 | |
| Fine tune (cents)Tunes the whole instrument in cents | CC 33 | 0–127 | |
| Gain (dB)Applies an overall output gain | CC 34 | 0–127 | |
| SustainActivates sustain notes - remain playing when the gate goes low | CC 35 | 0–127 | 0: Off; 1: On |
| Bend range (ST)Pitch bend range in semitones | CC 36 | 0–127 | |
| Chord enableEnables the chord generator function | CC 37 | 0–127 | 0: Off; 1: On; 2: Gate 1; 3: Gate 2; 4: Gate 3; 5: Gates 1&1; 6: Gates 1&3; 7: Gates 2&3 |
| Chord keyKey of the chord generator 0 is C - 1 is C#/Db etc | CC 38 | 0–127 | |
| Chord scaleScale of the chord generator | CC 39 | 0–127 | 0: Major; 1: Natural Minor; 2: Dominant; 3: Fully diminished; 4: Dominant Dim; 5: Augmented; 6: Whole Tone; 7: Chromatic; 8: Harmonic Minor |
| Chord shapeShape of the chord generator | CC 40 | 0–127 | 0: None; 1: 1 Octave; 2: 2 Octaves; 3: Root/Fifth; 4: Root/Fifth + 8ve; 5: Triad; 6: Triad + 8ve; 7: Sus4; 8: Sus4 + 8ve; 9: Sixth; 10: Sixth + 8ve; 11: Seventh; 12: Seventh + 8ve; 13: Ninth |
| Chord inversionChord inversion | CC 41 | 0–127 | |
| Arpeggio 1 modeArpeggiator mode for each CV/gate input pair | CC 42 | 0–127 | 0: Off; 1: Up; 2: Down; 3: Alt; 4: Alt2; 5: Up-8ve; 6: Down-8ve; 7: Alt-8ve; 8: Alt2-8ve; 9: Step Up; 10: Step Down; 11: Random; 12: Random2; 13: Random3; 14: As Played |
| Arpeggio 2 modeArpeggiator mode for each CV/gate input pair | CC 43 | 0–127 | 0: Off; 1: Up; 2: Down; 3: Alt; 4: Alt2; 5: Up-8ve; 6: Down-8ve; 7: Alt-8ve; 8: Alt2-8ve; 9: Step Up; 10: Step Down; 11: Random; 12: Random2; 13: Random3; 14: As Played |
| Arpeggio 3 modeArpeggiator mode for each CV/gate input pair | CC 44 | 0–127 | 0: Off; 1: Up; 2: Down; 3: Alt; 4: Alt2; 5: Up-8ve; 6: Down-8ve; 7: Alt-8ve; 8: Alt2-8ve; 9: Step Up; 10: Step Down; 11: Random; 12: Random2; 13: Random3; 14: As Played |
| Arpeggio 1 rangeSets the chord range for arpeggio1 | CC 45 | 0–127 | |
| Arpeggio 2 rangeSets the chord range for arpeggio2 | CC 46 | 0–127 | |
| Arpeggio 3 rangeSets the chord range for arpeggio3 | CC 47 | 0–127 | |
| Scala/MTSSets the Scala scale or MTS tuning to use | CC 48 | 0–127 | |
| Scala KBMSets the Scala keyboard map to use | CC 49 | 0–127 | |
| Low pass filterSets the frequency of a first-order low pass filter applied to each note | CC 50 | 0–127 | |
| Chorus modeEngages the chorus effect or 0 for off | CC 51 | 0–127 | 0: Off; 1: Mode 1; 2: Mode 2 |
| Delay modeType of delay effect | CC 52 | 0–127 | 0: Off; 1: Stereo; 2: Ping-Pong |
| Delay level (dB)Level of the delay effect | CC 53 | 0–127 | |
| Delay time (ms)Delay time in milliseconds | CC 54 | 0–127 | |
| Delay feedback (%)Delay feedback | CC 55 | 0–127 | |
| UnisonNumber of voices to play simultaneously for each note triggered | CC 56 | 0–127 | |
| Unison detune (cents)Detune amount when Unison is active | CC 57 | 0–127 | |
| Output spread (%)Amount of output spread if the selected output mode uses spread | CC 58 | 0–127 | |
| Break time (ms)Break time for chords or 0 for off | CC 59 | 0–127 | |
| Break directionBreak direction | CC 60 | 0–127 | 0: Up; 1: Down; 2: Alternating |
| Output modeOutput mode | CC 61 | 0–127 | 0: spread by voice; 1: spread by voice 2; 2: spread by pitch; 3: per Voice |
| Input modeInput mode | CC 62 | 0–127 | 0: No CV/Gate; 1: uses inputs 2/4 pitch/gate; 2: adds inputs 1/3 pitch/gate; 3: adds inputs 5/6 pitch/gate |
| Sustain modeSets the behaviour of the sustain function | CC 63 | 0–127 | 0: Synth; 1: Piano |
| MIDI vel curveSelects a velocity curve applied to incoming MIDI notes | CC 64 | 0–127 | 0: Linear; 1: Fixed; 2: Set1; 3: Set2 |
| Ext exciter inputExternal exciter input | CC 65 | 0–127 | 0: None |
| Pitch bend inputPitch bend input | CC 66 | 0–127 | 0: None |
| Arp reset inputInput to use as the arpeggiator reset | CC 67 | 0–127 | 0: None |
| Max voicesSets the maximum number of simultaneous voices | CC 68 | 0–127 | |
| LFO retriggerSets whether the LFOs are retriggered at note on | CC 69 | 0–127 | 0: Poly; 1: Off |
| LFO spreadSets the phase to which LFOs are retriggered | CC 70 | 0–127 | |
| Gate offsetOffsets delays the gate inputs relative to the pitch inputs | CC 71 | 0–127 |
Quad Envelope
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1 (%)Attenuverter for input 1 | CC 1 | 0–127 | |
| Attenuverter 2 (%)Attenuverter for input 2 | CC 2 | 0–127 | |
| Attenuverter 3 (%)Attenuverter for input 3 | CC 3 | 0–127 | |
| Attenuverter 4 (%)Attenuverter for input 4 | CC 4 | 0–127 | |
| Attenuverter 5 (%)Attenuverter for input 5 | CC 5 | 0–127 | |
| Attenuverter 6 (%)Attenuverter for input 6 | CC 6 | 0–127 | |
| Delay 1Delay time for shape 1 In milliseconds multiplied by the Range parameter | CC 7 | 0–127 | |
| Attack 1Attack time for shape 1 | CC 8 | 0–127 | |
| Hold 1Hold time for shape 1 | CC 9 | 0–127 | |
| Decay 1Decay time for shape 1 | CC 10 | 0–127 | |
| Sustain 1Sustain level for shape 1 | CC 11 | 0–127 | |
| Release 1Release time for shape 1 | CC 12 | 0–127 | |
| Attack shape 1Attack curve shape for shape 1 | CC 13 | 0–127 | |
| Decay shape 1Decay and release curve shapes for shape 1 Low values are more exponential high values more linear | CC 14 | 0–127 | |
| Range 1Time range multiplier for shape 1 | CC 15 | 0–127 | 0: 0.01; 1: 0.1; 2: 1; 3: 10; 4: 100 |
| Delay 2Delay time for shape 2 In milliseconds multiplied by the Range parameter | CC 16 | 0–127 | |
| Attack 2Attack time for shape 2 | CC 17 | 0–127 | |
| Hold 2Hold time for shape 2 | CC 18 | 0–127 | |
| Decay 2Decay time for shape 2 | CC 19 | 0–127 | |
| Sustain 2Sustain level for shape 2 | CC 20 | 0–127 | |
| Release 2Release time for shape 2 | CC 21 | 0–127 | |
| Attack shape 2Attack curve shape for shape 2 | CC 22 | 0–127 | |
| Decay shape 2Decay and release curve shapes for shape 2 Low values are more exponential high values more linear | CC 23 | 0–127 | |
| Range 2Time range multiplier for shape 2 | CC 24 | 0–127 | 0: 0.01; 1: 0.1; 2: 1; 3: 10; 4: 100 |
| Delay 3Delay time for shape 3 In milliseconds multiplied by the Range parameter | CC 25 | 0–127 | |
| Attack 3Attack time for shape 3 | CC 26 | 0–127 | |
| Hold 3Hold time for shape 3 | CC 27 | 0–127 | |
| Decay 3Decay time for shape 3 | CC 28 | 0–127 | |
| Sustain 3Sustain level for shape 3 | CC 29 | 0–127 | |
| Release 3Release time for shape 3 | CC 30 | 0–127 | |
| Attack shape 3Attack curve shape for shape 3 | CC 31 | 0–127 | |
| Decay shape 3Decay and release curve shapes for shape 3 Low values are more exponential high values more linear | CC 32 | 0–127 | |
| Range 3Time range multiplier for shape 3 | CC 33 | 0–127 | 0: 0.01; 1: 0.1; 2: 1; 3: 10; 4: 100 |
| Delay 4Delay time for shape 4 In milliseconds multiplied by the Range parameter | CC 34 | 0–127 | |
| Attack 4Attack time for shape 4 | CC 35 | 0–127 | |
| Hold 4Hold time for shape 4 | CC 36 | 0–127 | |
| Decay 4Decay time for shape 4 | CC 37 | 0–127 | |
| Sustain 4Sustain level for shape 4 | CC 38 | 0–127 | |
| Release 4Release time for shape 4 | CC 39 | 0–127 | |
| Attack shape 4Attack curve shape for shape 4 | CC 40 | 0–127 | |
| Decay shape 4Decay and release curve shapes for shape 4 Low values are more exponential high values more linear | CC 41 | 0–127 | |
| Range 4Time range multiplier for shape 4 | CC 42 | 0–127 | 0: 0.01; 1: 0.1; 2: 1; 3: 10; 4: 100 |
| Inputs 1Choose the trigger/gate input and the VCA input for envelope 1 | CC 43 | 0–127 | |
| Shape 1Which Env 2 to 4 shapes to use for envelope 1 | CC 44 | 0–127 | |
| Trigger mode 1Trigger mode for envelope 1 | CC 45 | 0–127 | 0: Gate; 1: Trigger; 2: Gated loop; 3: Looping; 4: Trigger by clock; 5: Trigger no retrigger |
| Clock input 1Clock input for envelope 1 | CC 46 | 0–127 | |
| Clock mode 1Clock mode for envelope 1 | CC 47 | 0–127 | 0: Off; 1: No stretch; 2: Stretch all; 3: Stretch sustain |
| Scale 1Scale for envelope 1 in units of 100mV | CC 48 | 0–127 | |
| Offset 1DC offset for envelope 1 in units of 100mV | CC 49 | 0–127 | |
| Vel -> scale 1 (%)Amount by which the trigger velocity affects the envelope 1 scale | CC 50 | 0–127 | |
| Vel -> attack 1 (%)Amount by which the trigger velocity affects the envelope 1 attack time | CC 51 | 0–127 | |
| Trigger mode 2Trigger mode for envelope 2 | CC 52 | 0–127 | 0: Gate; 1: Trigger; 2: Gated loop; 3: Looping; 4: Trigger by clock; 5: Trigger no retrigger |
| Clock input 2Clock input for envelope 2 | CC 53 | 0–127 | |
| Clock mode 2Clock mode for envelope 2 | CC 54 | 0–127 | 0: Off; 1: No stretch; 2: Stretch all; 3: Stretch sustain |
| Scale 2Scale for envelope 2 in units of 100mV | CC 55 | 0–127 | |
| Offset 2DC offset for envelope 2 in units of 100mV | CC 56 | 0–127 | |
| Vel -> scale 2 (%)Amount by which the trigger velocity affects the envelope 2 scale | CC 57 | 0–127 | |
| Vel -> attack 2 (%)Amount by which the trigger velocity affects the envelope 2 attack time | CC 58 | 0–127 | |
| Inputs 2Choose the trigger/gate input and the VCA input for envelope 2 | CC 59 | 0–127 | |
| Shape 2Which Env 1 3 4 shapes to use for envelope 2 | CC 60 | 0–127 | |
| Trigger mode 3Trigger mode for envelope 3 | CC 61 | 0–127 | 0: Gate; 1: Trigger; 2: Gated loop; 3: Looping; 4: Trigger by clock; 5: Trigger no retrigger |
| Clock input 3Clock input for envelope 3 | CC 62 | 0–127 | |
| Clock mode 3Clock mode for envelope 3 | CC 63 | 0–127 | 0: Off; 1: No stretch; 2: Stretch all; 3: Stretch sustain |
| Scale 3Scale for envelope 3 in units of 100mV | CC 64 | 0–127 | |
| Offset 3DC offset for envelope 3 in units of 100mV | CC 65 | 0–127 | |
| Vel -> scale 3 (%)Amount by which the trigger velocity affects the envelope 3 scale | CC 66 | 0–127 | |
| Vel -> attack 3 (%)Amount by which the trigger velocity affects the envelope 3 attack time | CC 67 | 0–127 | |
| Inputs 3Choose the trigger/gate input and the VCA input for envelope 3 | CC 68 | 0–127 | |
| Shape 3Which Env 1 2 4 shapes to use for envelope 3 | CC 69 | 0–127 | |
| Trigger mode 4Trigger mode for envelope 4 | CC 70 | 0–127 | 0: Gate; 1: Trigger; 2: Gated loop; 3: Looping; 4: Trigger by clock; 5: Trigger no retrigger |
| Clock input 4Clock input for envelope 4 | CC 71 | 0–127 | |
| Clock mode 4Clock mode for envelope 4 | CC 72 | 0–127 | 0: Off; 1: No stretch; 2: Stretch all; 3: Stretch sustain |
| Scale 4Scale for envelope 4 in units of 100mV | CC 73 | 0–127 | |
| Offset 4DC offset for envelope 4 in units of 100mV | CC 74 | 0–127 | |
| Vel -> scale 4 (%)Amount by which the trigger velocity affects the envelope 4 scale | CC 75 | 0–127 | |
| Vel -> attack 4 (%)Amount by which the trigger velocity affects the envelope 4 attack time | CC 76 | 0–127 | |
| Inputs 4Choose the trigger/gate input and the VCA input for envelope 4 | CC 77 | 0–127 | |
| Shape 4Which Env 1 2 3 shapes to use for envelope 4 | CC 78 | 0–127 | |
| MIDI vel curveSelects a velocity curve applied to incoming MIDI notes | CC 79 | 0–127 | 0: Linear; 1: Fixed; 2: Set1; 3: Set2 |
Convolver
| Parameter | Message | Range | Values |
|---|---|---|---|
| Attenuverter 1 (%)Attenuverter for input 1 | CC 1 | 0–127 | |
| Attenuverter 2 (%)Attenuverter for input 2 | CC 2 | 0–127 | |
| Attenuverter 3 (%)Attenuverter for input 3 | CC 3 | 0–127 | |
| Attenuverter 4 (%)Attenuverter for input 4 | CC 4 | 0–127 | |
| Attenuverter 5 (%)Attenuverter for input 5 | CC 5 | 0–127 | |
| Attenuverter 6 (%)Attenuverter for input 6 | CC 6 | 0–127 | |
| ImpulseChooses the impulse response file to load from the MicroSD card | CC 7 | 0–127 | |
| Dry gain (dB)Dry signal level in the output mix | CC 8 | 0–127 | |
| Convolution gain (dB)Convolution signal level in the output mix | CC 9 | 0–127 | |
| Trigger modeRecording trigger mode | CC 10 | 0–127 | 0: Triggered; 1: Gated |
| ChannelsSets the mono or stereo usage of the inputs and outputs | CC 11 | 0–127 | 0: Mono; 1: Mono to Stereo; 2: Stereo |
| LatencySets the algorithm's latency | CC 12 | 0–127 | 0: 5 ms; 1: 11 ms; 2: 22 ms; 3: 43 ms |
| Sample rateSets the algorithm's sample rate | CC 13 | 0–127 | 0: 48 kHz; 1: 24 kHz; 2: 12 kHz; 3: 6 kHz |
| Live updateEnables the 'live update' mode | CC 14 | 0–127 | 0: Off; 1: On |
| Generate impulseGenerates an impulse and enables recording when set to 1 | CC 15 | 0–127 | 0: Off; 1: On |