Karl
All synths

Moog

Muse

Parameters
102
Sections
1
Pages on Karl
9
MoogMusePage 1/9
  1. Mod Wheel64
  2. MuteOn
  3. Glide Time64
  4. Timbre Volume64
  5. Low Cut64
  6. Pan Spread64
  7. Pan64
  8. Expression64
  9. LFO 1 Rate64
  10. LFO 1 Amount64
  11. LFO 1 WaveformSquare
  12. LFO 2 Rate64

Full CC map

General

ParameterMessageRangeValues
Mod WheelThe modulation wheel is typically used to control the amount of modulation in a patchCC 10–127
MuteClickless muting of Muse's MAIN OUT signalCC 30–1270–63: Off; 64–127: On
Glide TimeIncreasing the glide control will increase the amount of time it takes to move from one note to the next, creating a portamento effectCC 50–127
Timbre VolumeVolume control for the currently active timbre (A/B) before it reaches the voice summing bussesCC 70–127
Low CutCC 80–127
Pan SpreadSpreads allocated voices apart giving a wider feel to the stereo imageCC 90–127
PanBipolar control for manual adjustment of the pan-position of the currently active timbre (A/B) in the stereo fieldCC 100–127
ExpressionCC 110–127
LFO 1 RateControls the frequency of LFO 1CC 120–127
LFO 1 AmountCC 130–127
LFO 1 WaveformSelects the wave shape of LFO 1CC 140–1270–24: Triangle; 25–49: Saw; 50–74: Square; 75–99: Random; 100–127: User Wave
LFO 2 RateControls the frequency of LFO 2CC 150–127
LFO 2 AmountCC 160–127
LFO 2 WaveformSelects the wave shape of LFO 2CC 170–1270–24: Triangle; 25–49: Saw; 50–74: Square; 75–99: Random; 100–127: User Wave
Pitch LFO RateControl the frequency of the PITCH LFOCC 180–127
Pitch LFO ShapeBipolar control adjusting the angle of the PITCH LFO's waveformCC 190–127
Pitch LFO AmountBipolar control over the depth of the PITCH LFO's modulation of its hardwired destinationsCC 200–127
Pitch LFO OSC 1Routes the PITCH LFO to modulate OSCILLATOR 1 when engagedCC 210–1270–63: Off; 64–127: On
Pitch LFO OSC 2Routes the PITCH LFO to modulate OSCILLATOR 2 when engagedCC 220–1270–63: Off; 64–127: On
Pitch LFO Mod OSCRoutes the PITCH LFO to modulate the MODULATION OSCILLATOR when engagedCC 230–1270–63: Off; 64–127: On
Pitch LFO DetuneRoutes the PITCH LFO to modulate the DETUNE knob in the VOICE CONTROL section when engagedCC 240–1270–63: Off; 64–127: On
Modulation Oscillator FrequencyControls the frequency of the modulation oscillatorCC 250–127
Modulation Oscillator AudioSets the modulation oscillator to operate at audio-rate frequenciesCC 260–1270–63: Off; 64–127: On
Modulation Oscillator KB TrackEnables keyboard control of the frequency of the modulation oscillatorCC 270–1270–63: Off; 64–127: On
Modulation Oscillator WaveformSelects the waveform of the modulation oscillatorCC 280–1270–24: Sine; 25–49: Sawtooth; 50–74: Ramp; 75–99: Square; 100–127: Noise
Modulation Oscillator KB ResetResets the LFO to its starting point in its wave cycle every time a key is pressedCC 290–1270–63: Off; 64–127: On
Modulation Oscillator UnipolarEnabled unipolar mode for the modulation oscillatorCC 300–1270–63: Off; 64–127: On
Modulation Oscillator Pitch AmountDetermines the depth at which frequency modulation of the oscillator section occurs based on the OSC 1 and OSC 2 routing buttonsCC 310–127
Modulation Oscillator Pitch OSC 1Enables frequency modulation of OSC 1 via the modulation oscillatorCC 330–127
Modulation Oscillator Pitch OSC 2Enables frequency modulation of OSC 2 via the modulation oscillatorCC 340–127
Modulation Oscillator PWM AmountDetermines the depth at which pulse width modulation of the oscillator section occurs based on the OSC 1 and OSC 2 routing buttonsCC 350–127
Modulation Oscillator PWM OSC 1Enables modulation of the duty cycle of the OSC 1 pulse/square waveshape via the modulation oscillatorCC 360–127
Modulation Oscillator PWM OSC 2Enables modulation of the duty cycle of the OSC 2 pulse/square waveshape via the modulation oscillatorCC 370–127
Modulation Oscillator Filter AmountDetermines the depth at which cutoff frequency modulation of the filter section occurs based on the FILTER 1 and FILTER 2 routing buttonsCC 390–127
Modulation Oscillator Filter 1Enables cutoff frequency modulation of FILTER 1 via the modulation oscillatorCC 400–127
Modulation Oscillator Filter 2Enables cutoff frequency modulation of FILTER 2 via the modulation oscillatorCC 410–127
Modulation Oscillator VCA AmountDetermines the depth at which the MODULATION OSCILLATOR will modulate the amplitude of the VCA, providing a tremolo effectCC 420–127
Modulation Oscillator VCA PANEnables pan-position modulation of a voice in the stereo field by inverting the phase of the modulation oscillator sent to the right VCACC 430–127
Oscillator 1 OctaveSelects the octave for OSC 1CC 440–1270–31: 16'; 32–63: 8'; 64–95: 4'; 96–127: 2'
Oscillator 1 FrequencyDetunes OSC 1 from the pitch associated with a keyboard noteCC 450–127
Oscillator 1 Tri/Saw MixCC 460–127
Oscillator 1 PWCC 470–127
Oscillator 1 Wave MixCC 480–127
Oscillator 2 OctaveSelects the octave for OSC 2CC 490–1270–31: 16'; 32–63: 8'; 64–95: 4'; 96–127: 2'
Oscillator 2 FrequencyDetunes OSC 2 from the pitch associated with a keyboard noteCC 500–127
Oscillator 2 Tri/Saw MixCC 510–127
Oscillator 2 PWCC 520–127
Oscillator 2 Wave MixCC 530–127
Oscillator 2>1 SYNCCC 540–1270–63: Off; 64–127: On
Oscillator 2>1 FMCC 550–1270–63: Off; 64–127: On
Oscillator 1>2 FMCC 560–1270–63: Off; 64–127: On
FM AmountCC 570–127
Oscillator 1 LevelCC 580–127
Oscillator 2 LevelCC 590–127
Ring Mod LevelCC 600–127
Modulation Oscillator LevelCC 610–127
Noise LevelCC 620–127
Sustain PedalCC 640–1270–63: Off; 64–127: On
Clipping LevelCC 650–127
Filter 1 High PassCC 660–127
Filter 1 CutoffCC 670–127
Filter 1 ResonanceCC 680–127
Filter 1 Envelope AmountCC 690–127
Filter 1 KB TrackingCC 700–1270–42: Off; 43–84: Half; 85–127: Full
HoldCC 710–1270–63: Off; 64–127: On
Filter 2 FrequencyCC 720–127
Filter 2 ResonanceCC 730–127
Filter 2 Envelope AmountCC 750–127
Filter 2 KB TrackingCC 760–1270–42: Off; 43–84: Half; 85–127: Full
Link FiltersCC 770–1270–63: Off; 64–127: On
Filters OrderCC 780–1270–42: Serial; 43–84: Stereo; 85–127: Parallel
Filter Env AttackCC 790–127
Filter Env SustainCC 800–127
Filter Env DelayCC 810–127
Filter Env ReleaseCC 820–127
Filter Env LoopCC 830–1270–63: Off; 64–127: On
Filter Env VelocityCC 850–1270–63: Off; 64–127: On
VCA Env AttackCC 860–127
VCA Env SustainCC 870–127
VCA Env DelayCC 880–127
VCA Env ReleaseCC 890–127
VCA Env LoopCC 900–1270–63: Off; 64–127: On
VCA Env VelocityCC 910–1270–63: Off; 64–127: On
Voice DetuneCC 920–127
Delay Time LeftCC 930–127
Delay Time RightCC 940–127
Link DelaysCC 950–1270–63: Off; 64–127: On
Delay Clock SyncCC 1020–1270–63: Off; 64–127: On
Delay FeedbackCC 1030–127
Delay CharacterCC 1040–127
Delay MixCC 1050–127
Delay Timbre ACC 1060–1270–63: Off; 64–127: On
Delay Timbre BCC 1070–1270–63: Off; 64–127: On
Voice UnisonCC 1080–1270–63: Off; 64–127: On
Voice MonoCC 1090–1270–63: Off; 64–127: On
Sequencer Clock DivCC 1100–127
Arpeggiator Clock DivCC 1110–127
Arpeggiator On/OffCC 1120–1270–63: Off; 64–127: On
Arpeggiator FW/BKCC 1130–1270–63: Off; 64–127: On
Arpeggiator DirectionCC 1140–1270–42: Order; 43–84: Pattern; 85–127: Random
Arpeggiator Octave RangeCC 1150–1270–31: 1; 32–63: 2; 64–95: 3; 96–127: 4
Clock TempoCC 1160–127