Karl
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Mutable Instruments

Yarns Loom

Paramètres
181
Sections
6
Pages sur Karl
16
Mutable InstrumentsYarns LoomPage 1/16
  1. Vibrato depth64
  2. Aux CV 164
  3. Aux CV 264
  4. Glide time64
  5. Lower note64
  6. Upper note64
  7. Voicing64
  8. Note priority64
  9. Legato retrigger off/on64
  10. Pitch bend range64
  11. Vibrato range64
  12. LFO rate for vibrato, tremolo, timbre LFO64

Table CC complète

Part channel

ParamètreMessagePlageValeurs
Vibrato depthCC 10–127
Aux CV 1CC 20–127
Aux CV 2CC 40–127
Glide timeCC 50–127
Lower noteCC 160–127
Upper noteCC 170–127
VoicingCC 180–127
Note priorityCC 190–127
Legato retrigger off/onCC 200–127
Pitch bend rangeCC 210–127
Vibrato rangeCC 220–127
LFO rate for vibrato, tremolo, timbre LFOCC 230–127
Transpose semitonesCC 240–127
Fine tuningCC 250–127
Tuning rootCC 260–127
Tuning systemCC 270–127
Trigger durationCC 280–127
Trigger velocity scaleCC 290–127
Trigger shapeCC 300–127
Aux CV outCC 310–127
Portamento legato only off/onCC 320–127
Oscillator mode (off/drone/enveloped)CC 700–127
Oscillator waveformCC 710–127
Aux CV out 2CC 720–127
Input transposes octavesCC 730–127
Hold pedal modeCC 740–127
Sequencer mode (loop/step)CC 750–127
Sequencer input responseCC 760–127
Envelope attack time, initialCC 770–127
Envelope decay time, initialCC 780–127
Envelope sustain level, initialCC 790–127
Envelope release time, initialCC 800–127
Oscillator timbre LFO shapeCC 810–127
Oscillator timbre, initialCC 820–127
Oscillator timbre, unipolar modulation by bipolar LFOCC 830–127
Loop length (in quarter notes)CC 840–127
Hold pedal polarity (positive/negative)CC 850–127
Envelope attack time, bipolar modulation by velocityCC 860–127
Envelope decay time, bipolar modulation by velocityCC 870–127
Envelope sustain level, bipolar modulation by velocityCC 880–127
Envelope release time, bipolar modulation by velocityCC 890–127
Oscillator timbre bipolar modulation by envelope, initialCC 900–127
Oscillator timbre bipolar modulation by envelope, bipolar modulation depth by velocityCC 910–127
Envelope peak, bipolar scaling by velocityCC 920–127
Oscillator/envelope tremolo depthCC 930–127
Oscillator/envelope tremolo shapeCC 940–127
Vibrato shapeCC 950–127
Arp/seq clock ratioCC 1020–127
Arp/seq gate lengthCC 1030–127
Arp rangeCC 1040–127
Arp directionCC 1050–127
Arp patternCC 1060–127
Euclidean lengthCC 1070–127
Euclidean fillCC 1080–127
Step offset / Euclidean rotateCC 1090–127
Sequencer recording off/onCC 1100–127
Delete sequencer recordingCC 1110–127
Record tie (Step) / Remove oldest note (Loop)CC 1120–127
Record rest (Step) / Remove newest note (Loop)CC 1130–127
Play mode (manual / arpeggiator / sequencer)CC 1140–127
Loop sequencer phase offsetCC 1150–127
macro recording modeCC 1160–127
macro play/sequencer modeCC 1170–127
LFO spread typesCC 1180–127
LFO spread voicesCC 1190–127

RC channel: Global

ParamètreMessagePlageValeurs
Output clock ratioCC 00–127
LayoutCC 10–127
TempoCC 20–127
SwingCC 30–127

RC channel: Part 1

ParamètreMessagePlageValeurs
Part 1 MIDI channel (CH)CC 40–127
Part 1 lower note (N<)CC 50–127
Part 1 upper note (N>)CC 60–127
Part 1 MIDI out mode (>>)CC 70–127
Part 1 voicing (VO)CC 80–127
Part 1 note priority (NP)CC 90–127
Part 1 portamento (PO)CC 100–127
Part 1 legato mode (LG)CC 110–127
Part 1 pitch bend range (BR)CC 120–127
Part 1 vibrato range (VR)CC 130–127
Part 1 vibrato speed (VS)CC 140–127
Part 1 transpose (TT)CC 150–127
Part 1 fine tuning (TF)CC 160–127
Part 1 tuning root (TR)CC 170–127
Part 1 tuning system (TS)CC 180–127
Part 1 trigger duration (T-)CC 190–127
Part 1 velocity scale (T*)CC 200–127
Part 1 trigger shape (T|\)CC 210–127
Part 1 aux CV out (CV / 3>CC 220–127
Part 1 oscillator shape (OS)CC 230–127
Part 1 arp/seq clock division (C/)CC 240–127
Part 1 arp/seq gate length (G-)CC 250–127
Part 1 arp range (AR/RG)CC 260–127
Part 1 arp direction (AD)CC 270–127
Part 1 arp pattern (AP/RP)CC 280–127
Part 1 euclidean length (E-)CC 290–127
Part 1 euclidean fill (EF)CC 300–127
Part 1 euclidean rotate (ER)CC 310–127

RC channel: Part 2

ParamètreMessagePlageValeurs
Part 2 MIDI channel (CH)CC 360–127
Part 2 lower note (N<)CC 370–127
Part 2 upper note (N>)CC 380–127
Part 2 MIDI out mode (>>)CC 390–127
Part 2 voicing (VO)CC 400–127
Part 2 note priority (NP)CC 410–127
Part 2 portamento (PO)CC 420–127
Part 2 legato mode (LG)CC 430–127
Part 2 pitch bend range (BR)CC 440–127
Part 2 vibrato range (VR)CC 450–127
Part 2 vibrato speed (VS)CC 460–127
Part 2 transpose (TT)CC 470–127
Part 2 fine tuning (TF)CC 480–127
Part 2 tuning root (TR)CC 490–127
Part 2 tuning system (TS)CC 500–127
Part 2 trigger duration (T-)CC 510–127
Part 2 velocity scale (T*)CC 520–127
Part 2 trigger shape (T|\)CC 530–127
Part 2 aux CV out (CV / 3>CC 540–127
Part 2 oscillator shape (OS)CC 550–127
Part 2 arp/seq clock division (C/)CC 560–127
Part 2 arp/seq gate length (G-)CC 570–127
Part 2 arp range (AR/RG)CC 580–127
Part 2 arp direction (AD)CC 590–127
Part 2 arp pattern (AP/RP)CC 600–127
Part 2 euclidean length (E-)CC 610–127
Part 2 euclidean fill (EF)CC 620–127
Part 2 euclidean rotate (ER)CC 630–127

RC channel: Part 3

ParamètreMessagePlageValeurs
Part 3 MIDI channel (CH)CC 680–127
Part 3 lower note (N<)CC 690–127
Part 3 upper note (N>)CC 700–127
Part 3 MIDI out mode (>>)CC 710–127
Part 3 voicing (VO)CC 720–127
Part 3 note priority (NP)CC 730–127
Part 3 portamento (PO)CC 740–127
Part 3 legato mode (LG)CC 750–127
Part 3 pitch bend range (BR)CC 760–127
Part 3 vibrato range (VR)CC 770–127
Part 3 vibrato speed (VS)CC 780–127
Part 3 transpose (TT)CC 790–127
Part 3 fine tuning (TF)CC 800–127
Part 3 tuning root (TR)CC 810–127
Part 3 tuning system (TS)CC 820–127
Part 3 trigger duration (T-)CC 830–127
Part 3 velocity scale (T*)CC 840–127
Part 3 trigger shape (T|\)CC 850–127
Part 3 aux CV out (CV / 3>CC 860–127
Part 3 oscillator shape (OS)CC 870–127
Part 3 arp/seq clock division (C/)CC 880–127
Part 3 arp/seq gate length (G-)CC 890–127
Part 3 arp range (AR/RG)CC 900–127
Part 3 arp direction (AD)CC 910–127
Part 3 arp pattern (AP/RP)CC 920–127
Part 3 euclidean length (E-)CC 930–127
Part 3 euclidean fill (EF)CC 940–127
Part 3 euclidean rotate (ER)CC 950–127

RC channel: Part 4

ParamètreMessagePlageValeurs
Part 4 MIDI channel (CH)CC 1000–127
Part 4 lower note (N<)CC 1010–127
Part 4 upper note (N>)CC 1020–127
Part 4 MIDI out mode (>>)CC 1030–127
Part 4 voicing (VO)CC 1040–127
Part 4 note priority (NP)CC 1050–127
Part 4 portamento (PO)CC 1060–127
Part 4 legato mode (LG)CC 1070–127
Part 4 pitch bend range (BR)CC 1080–127
Part 4 vibrato range (VR)CC 1090–127
Part 4 vibrato speed (VS)CC 1100–127
Part 4 transpose (TT)CC 1110–127
Part 4 fine tuning (TF)CC 1120–127
Part 4 tuning root (TR)CC 1130–127
Part 4 tuning system (TS)CC 1140–127
Part 4 trigger duration (T-)CC 1150–127
Part 4 velocity scale (T*)CC 1160–127
Part 4 trigger shape (T|\)CC 1170–127
Part 4 aux CV out (CV / 3>CC 1180–127
Part 4 oscillator shape (OS)CC 1190–127
Part 4 arp/seq clock division (C/)CC 1200–127
Part 4 arp/seq gate length (G-)CC 1210–127
Part 4 arp range (AR/RG)CC 1220–127
Part 4 arp direction (AD)CC 1230–127
Part 4 arp pattern (AP/RP)CC 1240–127
Part 4 euclidean length (E-)CC 1250–127
Part 4 euclidean fill (EF)CC 1260–127
Part 4 euclidean rotate (ER)CC 1270–127